
Tullio Pinelli
Writing
Biography
Tullio Pinelli (24 June 1908 – 7 March 2009) was an Italian screenwriter best known for his work on the Federico Fellini classics I Vitelloni, La strada, La Dolce Vita and 8½. Description above from the Wikipedia article Tullio Pinelli, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
8½

Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
La Dolce Vita

Miniseries about the early life of Garibaldi.
Il giovane Garibaldi

Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
Nights of Cabiria

After his proposal to sail west to the East Indies is rejected by Portugal, Columbus overcomes court intrigue in Spain to gain support for his expedition.
Christopher Columbus

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
La Strada

This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.
My Friends Act III

Taxi dancer Charity continues to have faith in the human race despite apparently endless disappointments at its hands, and hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.
Sweet Charity

Four inseparable friends try to face their midlife crisis with daytrips and pranks at the expense of their families and the people around them.
My Friends

An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.
Boccaccio '70

Middle-aged Giulietta grows suspicious of her husband, Giorgio, when his behavior grows increasingly questionable. One night when Giorgio initiates a seance amongst his friends, Giulietta gets in touch with spirits and learns more about herself and her painful past. Slightly skeptical, but intrigued, she visits a mystic who gives her more information -- and nudges her toward the realization that her husband is indeed a philanderer.
Juliet of the Spirits

Maria is a housmaid and she is being engaged to Berto for fifteen years. Berto has not a lasting job so he is waiting for the death of his uncle Matteo to come into an inheritance. In the meantime Maria goes on with her work, first in the house of an unfaithful wife; then for an actor and his wife on the verge of leaving each other and last for Raffaele who wants to marry her. At last uncle Matteo dies...
Position Wanted

A poor girl is convinced she is the daughter of a prince.
Fortunella

Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
Ginger and Fred

Serafino, a young and innocent shepherd, inherits a huge fortune. He immediately starts spending the entire sum on presents for his friends, causing the envy of his family.
Serafino
Set in the middle of the 19th century, it's the story of a young Milanese girl, her unconventional boyfriend and her difficult relationship with her father.
Eleonora

Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
I Vitelloni

L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.
L'Amore

In the immediate post-war period, amidst the rubble of a poverty-ridden Naples, two kids, Carmine and Celestina, try to survive as best they can by helping each other out. One night, they secretly board a ship bound for New York to reach Celestina’s sister, who emigrated to America several years earlier. The two children join the many Italian emigrants seeking a new life in America and arrive in an unknown metropolis, which, after several misadventures, they will learn to call home.
Naples to New York

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.