Rudolf Kaiser

Based on an actual murder case in Frankfurt after the war, the film tells the story of the murder of Rosemarie, a prostitute, and how she ended up strangled in her apartment.

A scientist invents a serum that keeps a dog's head alive after its body dies. When the scientist dies of a heart attack, his crazed assistant cuts off his head and, using the serum, keeps the doctor's head alive and forces it to help him on an experiment to give his hunchbacked nurse assistant a new body.

During rehearsals for a provocative stage play, director Gregor clashes with young actress Dinah, who resists performing an intimate love scene. To challenge her views, he guides the cast through a series of imaginative theatrical tableaux spanning the history of love, art, and desire. As rehearsal and fantasy blur, past ideals confront modern attitudes, forcing the actors to reconsider what intimacy and morality mean both onstage and off.

In early 20th Century Europe, a dancer becomes the romantic bone of contention between two men, a humble shepherd and an imperious marquis.

Doris embodies innocence and kindness, sacrificing herself for everyone. Day and night, she cares for their seriously ill mother, while her older sister Carmen prefers to go her own way. After their mother's death, Carmen takes her to the vaudeville theater, where she becomes a star but remains unaware of the dangers this world holds. For a small fee, her sister sells her to Fredy, who eventually abandons her while she is pregnant out of wedlock. Carmen Cartellieri and Doris Kay portray this contrasting pair of sisters. Innocence and selflessness clash with amorality and egoism: the decline of morals and its consequences are vividly depicted. (Filmarchiv Austria)