Ira Sachs

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

In 1990s New York, an undercover police officer receives an assignment to lure and arrest gay men. However, he's surprised to discover a scintillating connection with one of his targets. As their secret connection deepens and internal pressure to deliver arrests intensifies, he finds himself torn between duty and desire.

A recently discovered conversation between photographer Peter Hujar and his friend Linda Rosenkrantz in 1974 reveals a glimpse into New York City’s downtown art scene and the personal struggles and epiphanies that define an artist’s life.

A very gentle middle-aged man is married, but when he falls in love with another woman, he decides that to divorce his wife would humiliate her too much – so instead he decides to kill her.

Jake is a quiet, sensitive middle schooler with dreams of being an artist. He meets the affably brash Tony at his grandfather's funeral, and the unlikely pair soon hit it off. The budding friendship is put at risk, however, when a rent dispute between Jake's father, Brian, and Tony's mother, Leonor, threatens to become contentious.

In late 1980s New York, a theater artist living with AIDS takes on one possibly last great role.

In 1997 New York City, filmmaker Erik bonds with closeted lawyer Paul after a one-night fling. As their relationship evolves through dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.

In Memphis, a middle-class white teenager and a black Vietnamese immigrant meet in a gay cruising spot and discover what they don't have in common.

A traveling theatrical troupe, made up primarily of gay and lesbian performers, mirrors the troubles of a political and social community through its tight-knit existence.

After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

An unnamed woman in a red wig welcomes a documentary crew into her New York apartment. The crew captures her everyday life, as she fights with her boyfriend and gossips with her friend. These scenes alternate with black-and-white footage of a woman in a red wig escaping a suburban existence.

When a terminally ill French actress decides to spend her last vacation with her large family in Sintra, her relatives grapple with their own insecurities.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

Woman's Picture is an anthology film inspired by classic women's films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character. The segments function as parallel dimensions, exploring thematic connections between women whose immediate experiences seem very far removed from one another.

During production of A Place in the Sun, Montgomery Clift meets the woman who will become his closest confidant and best friend, Elizabeth Taylor.

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

A Russian woman living in Memphis with a much older rock-n-roll legend experiences a personal awakening when her husband's estranged son comes to visit.

Documentary on the making of the 2025 film "Peter Hujar's Day".

What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.