Directing
Scottish Ballet’s first-ever Digital Artist in Residence, Zachary Eastwood-Bloom, built on his visually sublime arsenal of digital artworks by working with three choreographers and composers to create Technology//Mythology//Allegory – a series of three new works – for the 2019 Digital Season. Beauty, artifice, voyeurism and the digital gaze are questioned in The Three Graces, a highly manipulated and multi-layered collaboration between Zachary Eastwood-Bloom and choreographer Madeline Squire.
Scottish Ballet’s Prometheus & Epimetheus investigates the relationship between technology and our inability to see far enough into the future as we continue to advance. Motion captured and digitally augmented, Prometheus & Epimetheus is a collaboration between the first ever Digital Artist in Residence Zachary Eastwood-Bloom and choreographer Alexander Whitley with music by Ash Koosha.
Scottish Ballet's first ever Digital Artist in Residence, Zachary Eastwood-Bloom, builds on his visually innovative collection of works, collaborating with three choreographers and composers to create Technology//Mythology//Allegory - a series of three new works under The Fates. Motion tracked and digitally augmented, The Fates is a collaboration between Zachary Eastwood-Bloom, choreographer Nicholas Shoesmith and composer Ben Chatwin. The Fates explores notions of autonomy and control in a digital society.
This digitally manipulated, multi-layered dance collaboration explores beauty, artifice, noyeurism and the digital gaze.
