
Rodney El Haddad
Acting
Biography
Dans “ Bosta l'autobus (Bosta) (2005) ”, Rodney El Haddad fait sa première apparition dans un long métrage, après une carrière riche au théâtre, an tant qu’acteur, scénariste et réalisateur. Diplômé de la faculté des Arts dramatiques de l’Université Libanaise en 2000, il joue dans plusieurs pièces, dont “ Charbel ” de Raymond Gébara. Sa performance dans le court métrage “ Une musique sur la lune ” lui a valu le Qamar d’Or pour la Meilleur Interprétation Masculine en 2000. Il a écrit plusieurs scénarios ainsi que deux pièces qu’il a également réalisées. Il vient de terminer son premier recueil de poèmes. D’origine libanaise, Rodney El-Haddad est acteur et scénariste pour le théâtre et le cinéma. Il a exercé pour la première fois ses talents d’écriture en tant que coscénariste sur Caramel (2007) , de Nadine Labaki. Puis a commencé en tant que comédien sur les longs métrages Bosta l'autobus (Bosta) (2005) et Beyrouth, ville ouverte . Rodney participe actuellement à l’écriture d’un nouveau long métrage avec Nadine Labaki, et sera au générique du prochain film de Danielle Arbid, Chambres d’hôtel .
Known For

The story of the Venezuelan Ilich Ramirez Sanchez known as "Carlos", who was, for almost twenty years, one of the most wanted terrorists in the world.
Carlos

The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.
Carlos

In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Caramel

Salim Fayad is an ordinary pharmaceutical company owner whose life is shattered in seconds when his car kills the daughter of Lebanon's most feared drug lord. Instead of revenge, the dealer makes him an offer — become his personal assassin, or watch his family die. A Lebanese thriller adapted from the celebrated Serbian series Besa, following a decent man's descent into a world he was never meant to inhabit, doing terrible things to protect the people he loves.
Blood Oath

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Rio, I Love You

An illicit affair will bloom between Hazar (Carine Rizcallah) and Ghassan (Badih Abu Chakra) who fall in love, but are both already married.
Till the Last Breath

Among the Syrian refugees who were forced out of their country due to the war, the dean of a Lebanese college is forced to leave his job behind and turn his attention into investigating a mystifying crime.
The Dean

A driven artist travels to Beirut with her husband, but her life turns into a nightmare when she wakes up ten years later amnesiac and in a mental institution.
Amnesia

No description available.
TAXI KILLER

The station
The Station

After 15 years in France, Kamal returns to his native Beirut and reassembles his dance crew, striving to modernize traditional Dabke routines.
Bosta

One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.
Beirut Hotel

Adashi, ex-member of the Japanese Red Army, narrates a story taking place in Beirut. The melancholy of war, the pain of disillusionment. A story being written and rewritten, open to interpretation. When the time comes, return to reality can only be cruel.
The Ugly One

In Post-War Lebanon, after Taif Accord in 1989, and the Syrians withdrawal from Lebanon,seemingly disconnected at first, the stories reveal an interconnection, particularly with an Egyptian director seeking societal freedom in Beirut falls victim to its repression.