Nicolás Alonso

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The director’s fortuitous meeting with filmmaker Mercedes Frutos prompts an inquiry into the challenges she faced in her only feature film, New Hope. Shot in 1984 and inspired by a Bioy Casares short story, the film went through a 12-year journey until its commercial release.

Over coffee at La Biela, an Argentine filmmaker evokes her relationship with cinema: the now-vanished theaters that marked her youth, the adaptation of an Adolfo Bioy Casares short story, and the epistolary relationship she maintained with François Truffaut.