Fukui Haruka
Writing
Known For

After her painful breakup with Koharu, Saaya settles down with a new girlfriend but is dumped once again when her partner realizes she still has feelings for Koharu. Depressed and in a creative slump with her comic activities, Saaya is forced into an arranged date with a young man named Kenji. At first, she’s not keen on the idea, but after meeting him, she becomes attracted to his kind personality…
Saaya & Koharu: – Forever and Ever

After graduating from high school, reclusive Matsuri spends her days fantasizing, venting her sexual desires. Her father, Toshiaki, and mother, Reiko, worry about their daughter, but enjoy their lovey-dovey days. Every time Matsuri sees her parents enjoying their harmonious life, her delusions intensify. One day, Hiroki, who happens to be passing by, picks up her laundry. The two become close, and Matsuri begins to develop feelings for him. Her world of delusions continues to expand. (R15+ version premiered at the OP PICTURES+ 2025).
Mōsō fanfare

Saaya, a Girls Love comic artist, works tirelessly on her latest story “Maaya and Chiharu,” in which she draws one of the titular characters based on Koharu, a childhood friend from her hometown with whom she fell in love with. Although things seem to be going well with her boyfriend, Saaya can’t seem to let go of her feelings for Koharu. Then one day, she unexpectedly encounters Koharu again. Learning that Koharu is no longer able to stay in their hometown because she was caught dating a woman at work, Saaya finds her old feelings of passion begin to stir…
Saaya & Koharu

A couple with a large age gap moves into the house next door to Yuzu and Minato, a brother and sister. Minato falls in love at first sight with Asami, the wife, who comes to greet him after moving in, and begins to spy on Asami's behavior. Gradually, Yuzu also begins to be attracted to Asami...
Hitozuma no toriko: Tonari no Asami-san

Asahi, a fan of the live idol group "RADICAL LILY POP," is especially a fan of member "Emapi". One day, Asahi meets fellow fan Nanami at a drinking party invited by fellow otaku Renjiro. While Nanami calls idols by their first names and wants to get close because she loves them, Asahi wants to keep her distance and worship her as a god because she loves her. Together with Renjiro, they discuss idol theory, but they don't quite get along. Eventually, Asahi realizes that Nanami likes women and isn't just a fan, but is also making advances on member "Minorin", and he senses the danger that she might get her way with "Emapi," whom he is supporting.
Oshi Is Fully in Bloom

Final chapter of the Saaya & Koharu Trilogy. Saaya and Koharu are living happily together when Momoka, who is aiming to reach the top of the yuri doujinshi world, stand in their way. In order to take her place at the top, Momoka tries to drive a wedge between Saaya and her rival. Furthermore, Koharu faces a new obstacle when her mother pressures her to marry Makoto. (R15+ version premiered at the OP PICTURES+ Festival 2025).
Saaya & Koharu: Final Chapter ~Beyond the End~

After being dumped by her boyfriend, Fuka tries out a brothel for women at the recommendation of her friend Mio. Haruto, the girl in charge, is a clumsy girl with a constant smile who arouses the maternal instinct of the customer. Fuka becomes addicted to Haruto... [Exists in two versions (R15+ and R18+) with different titles].
Punyu katsu: Ippai daisuki

Yuma and Saku discover a mysterious pendant that suddenly sends them back in time to 1990. There they meet the younger version of a gay bar owner whose life was shaped by a devastating heartbreak. After hearing his story, Yuma becomes convinced that if they can change the past, the man might avoid the tragedy that shaped his future. As the two travelers move between past and present, they confront the realities of life for gay men in different eras and question whether altering history can truly change love and destiny. The story mixes time-travel fantasy with erotic encounters typical of the pink-film genre while reflecting on missed chances, queer history, and the difficulty of rewriting the past.