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Felix Randau

Felix Randau

Directing

Known For

Der Kriminalist
4.5

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

Der Kriminalist

2006
Iceman
6.3

The Ötztal Alps, more than 5300 years ago. A Neolithic clan leader must avenge the massacre of his people and theft of his holy shrine.

Iceman

2017
Die Anruferin
7.0

A lonely woman's prank phone call leads to an unexpected friendship with a grieving widow.

Die Anruferin

2008
Northern Star
7.0

The story of the stubborn and aggressive teenager Anke, who after the suicide of her father many years ago lives alone with her mother in a small town in northern Germany.

Northern Star

2003
Perfect Sight
10.0

10 years after the fall of the Berlin Wall, at the "Perfect Sight" campsite, located on the Island of Rügen on the German Baltic Sea coast: the former state property has been taken over by an ex-officer of the German army. Now the new moved in West German rules the site. Anyone who opposes him is banned. With a little imagination and a few tricks, he wanted to make the deal of a lifetime. But he has miscalculated and run the property into the ground, bankruptcy is imminent. His employee, the Vietnamese German Pit Sun, somehow keeps the place together and has a child with the owner's daughter. But since he hasn't received any money for a long time, he wants to run away to Vietnam. The tradition-conscious East German campers are also not happy with the bad-tempered campsite operator. It's just as well that Claus Oehlke has robbed a bank and is only throwing the money around to impress his wife. But she only has eyes for the former GDR crooner Michi Fanselow, the dream of her youth.

Perfect Sight

2001
No image
9.0

One of the first short films from filmmaker Felix Randau

Siemensstadt

2001
No image
N/A

In 1952, a train journey to Oslo becomes a battleground when a journalist and her husband confront a man who claims to have saved thousands during WWII. As questions arise about his true motives, the line between hero and opportunist blurs.

Ich ist ein Anderer