Amy Chan Tsz Kwan

A girl called Christy is missing. The case haunts Detective Max, time and time again, leaving him with a sense of remorse. Following a trail, Max arrives at an abandoned school where he finds traces of a cult ritual and a murder scene. Suddenly he finds himself in a stylish bar where he sees his former colleague and Christy. Meanwhile the murderer is lurking behind... Will Max find hope and redemption from the dismal past? Shot in black and white, this mysterious thriller employs the stylistic elements of neo-noir and horror to recreate our urban terrors of missing people.

Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.

Two 16-year-old girls, Qian and Vicky, are torn between the lines of friendship and romance, unsure where they truly stand, as they rehearse for a love drama in summer holiday. Before the school starts, the secret kissing plot is exposed and their show is banned. Yet, it unfolds Qian’s courage that she decides to make a bold move on the first school day.

Pan lives two lives. During the day he is the son of a traditional Hong Kong family. But at night he transforms into the unapologetic drag queen Pansze Diva entertaining the underground of the city. Ultimately looking for acceptance by their parents, what does a death in the family change?

Mohammad is a young asylum seeker from Pakistan. To make a living, he works illegally as a night delivery worker. He strives for a better life in a city with no identity and future in store for him. Despite his limited income, Mohammad helps out the single mother and her young son from Africa. He spends his days with his compatriots looking for jobs and waiting for their application results, hoping indefinitely for a miracle. Marginalized and ostracized, they survive in cracks and crevices of the city, trembling with rage and despair, waiting for dawn to come.

A night delivery man meets a woman who works in a publishing house. He helps her deliver books to a warehouse during rainy days, and in each encounter an endearing bond forms between them.

Four farmer-cum-robbers live together in a dilapidated house with a withered field. They discover a human finger inside a newly-harvested tomato one day. The gang leader decides to freeze it in the hope of selling it for a good price. Someone tells a story about a finger in a pub, so implausible that the listeners can hardly believe it. There are no fingers inside the other tomatoes and the gang remains poor. Tensions mount as the gang leader suspects a young member of hiding the secret of growing the finger-yielding tomato for his own benefit, leading to a big fight. The young man renounces his life of crime, but pays a hefty price…...

At the end of summer, a group of friends bid farewell to their childhood with a final football match and embark on a daring escapade, each about to embark on a different path in life.

Set in Hong Kong, Eya is a shy teen who takes writing as a way to escape alienation, bullying and loneliness. On the school fun day Eya remains silent in the interview, but she is not the only one who finds life is too hard to bear. Everything is changed that morning.

Chi Keung is a local born Pakistani teenager. He works in his relative’s restaurant as a delivery boy. On this hot summer day, he delivers food with his bicycle as usual, weaving through the network of old and new streets in the Central and Western District. However, he loses the bicycle during a ride, but this eventually leads him to discover new scenery, encounter different people and things.

Where may one find bliss, in life or in death? Four disappointed young people meet each other at a rave party, finding bliss under the influence of drugs. After sharing a brief night of ecstasy, they are suddenly transported to another realm via a car accident. Stranded and waiting to be delivered, as the lost souls witness the void and pain they leave behind in the world of the living, each must reckon and reconcile their scarred former lives, every unrequited dream and relationship, before they can finally arrive at the real land of bliss.

Yumi works at a record store, dreams about Kurt Cobain could take her away from the boring life she lives. As she is approaching 27 years old, she begins to think about what can she do to resist the social norms.

Fei is trapped by the grief of losing her boyfriend Kit from an accident a few months ago. She still feels Kit’s aura surrounding near by. While Chau, who has a crushed on Fei, accompanies her for channeling sessions in search for Kit despite the bitterness. Yet, he gradually loses his patience and breaks Fei’s heart. Refusing to let go, Kit witnesses all the painful moments as an outsider with his hands tied. This is a story about three lost souls drifting in torrent of times yearning for love.

Family pains and abdominal cramps—anyone can allow their body to endure the turbulent intrusion alone. After living in Norway for years, Ling brings her foreign boyfriend home to Hong Kong. The family reunion is seemingly harmonious yet unspoken rifts and resentment will be revealed through family therapy. Will it end in reconciliation or a split-up? Bobby YU Shuk-pui, winner of Best Director at the 17th Fresh Wave, brings her family’s story to the silver screen. With real-life family members appearing on screen, the film examines intergenerational conflict through the lens of the young. With scenes of conversational therapy shot like direct cinema and shifting between fiction and reality through switching aspect ratios, the film faithfully and naturally presents the emotional vortex among family members.

For Sang-yu, to be rich in Hong Kong means you get to make choices instead of someone making them for you. Hired by giant property developers to buyout ownership of tenement buildings, she earns considerable income and lives the kind of life lauded by mainstream society. During one of the buyouts, she starts to realize the harm her work inflicts upon others. She falls further into a moral dilemma when her boss assigns her a difficult buyout task, a profitable opportunity for her. In Hong Kong where real estate is considered above all else, the grassroots are left to fight for survival in desperation.

While protests rage in Hong Kong, Kit spends most of his time on his father’s fishing boat. The radio and his phone keep him abreast of the latest developments. The migration of his girlfriend and the destruction of his gang’s secret base accelerate his uncertainty and impotence about the future.

Berlin, known for its freedom and inclusiveness of diverse subcultures, is a safe haven for many displaced people. But urban life may not provide the best living conditions. Idealistic traveller Moon struggles to find accommodation in Berlin but receives a helping hand from Anna, who is also a Hong Konger anxious about her unstable life. They temporarily stay at the 15-person co-living facility named Hausprojekt ‘K28’. However, this group of migrants—some have experienced social unrest back home and others just want to experience life in a foreign country—are facing eviction. Two women with very different personalities share what they have and face the hardships of life together. The Berlin-based director uses her perspective as an Asian woman to explore the clash between humanism and gentrification. Featuring Golden Horse nominee Elizabeth TANG and artist Sammi MAK in leading roles, the film deromanticises the situation of Hong Kongers living in a foreign land.

In an art studio, a young woman becomes the muse Calliope, observed and painted by the artists around her. Gradually, her gaze shifts toward the statues beside her, and she begins to transform into the statue itself.

Performance artist Florence and documentary filmmaker Tze-woon are lovers. They propose to exchange each other’s distressing memories before they met and attempt to re-enact each other’s experience with their own art form. Could they really walk closer towards each other through the process?