Ervin Nanco

In the “Logic of Sense”, Gilles Deleuze describes the portmanteau words as a “synthesis of coexistence, which ensures the conjunction of two series of heterogeneous propositions”. In this sense, “Portmanteau ” is an experiment that bets on the fusion of objects, spaces and characters, apparently unconnected, with the intention of proliferating their interpretations and becomings.

A sailor mouse finds himself in a spectral ocean of overflowing pixels. Glitch and destruction haunt this little mouse. Aboard the steamboat, a corrupt dance begins.

An amalgam of experimental techniques explore the fragility of modern subjectivity, dismantling the boundaries between nature and culture, subject and object, order and chaos. Perception is dragged into a whirlwind of multiplicities in a fluid space, where the body ceases to be a fixed entity and transforms into a becoming without borders, an assemblage of forces and chronotopes in constant transformation.