Thomas Neumann

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

Berlin, 1888. After penniless Ida’s life is saved at the Charité Hospital she must work off the treatment costs. While she becomes acquainted with the most brilliant physicians of this era at the world-famous hospital, the self-determined young woman discovers her passion for medicine.

The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.

Mord mit Aussicht is a German satirical crime comedy television series, produced by ARD, following the adventures of Sophie Haas, a detective from the city that takes a job in the fictional country village of Hengasch. Much of the humour of the series derives from the clichés of both city and provincial lives, in a similar manner to the English comedy crime series Midsomer Murders.

In 1980s East Germany, Berlin doctor Barbara is banished to a country medical clinic for applying for an exit visa. Deeply unhappy with her reassignment and fearful of her co-workers as possible Stasi informants, Barbara stays aloof, especially from the good-natured clinic head, Andre.

Medical student Paula wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to investigate the mysterious circumstances surrounding his death.

The film is set in the 1930s in Germany. Maria Rheine and Mark Löwenthal, two young actors working in a small theater, are in love with each other. Their love affair is interrupted by Nazi racial policies; Mark is no longer allowed to perform in German theaters because he is a Jew. In order to continue acting, he joins the newly formed Jewish Theater in Berlin. Maria, who is not Jewish, faces no restrictions on her career, and she becomes a successful actress at a big theater in Munich. But her love for Mark eventually leads her to decide to sacrifice both career and security to remain close to him. She fakes a suicide, assumes a Jewish identity and, as Manja Löwenthal, joins the Jewish Theater.

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Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.

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No description available.

A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.

Hanna and Simon are in a 20 year marriage with an unexciting relationship. By chance, they both meet and start separate affairs with Adam. Adam has no idea that his two lovers are married, until they are all found out when Hanna becomes pregnant, with the natural doubts stemming from their situation.

Philipp Gerber is a smart, but self-satisfied car salesman. In an inattentive moment at the wheel of his car, he runs over a boy on a bike and, instead of helping him, he drives away. As he has feelings of guilt, he tries to find out more about the accident’s victim.

When Estonian violinist Eduard Sõrmus starts his concert tours in Europe, he is convinced that the world revolution is about to begin. His mission as a Red Violinist is to call the proletariat around the world to join with the revolution. It is only two things - music and revolution - that Eduard has dedicated himself to. His audience is enchanted by his performance and ignited by his ideas. With this knowledge, he travels Europe between the two world wars, accompanied by his faithful friends, his audience's admiration and the hostility of the authorities.

Following her parents' wishes, spirited seventeen-year-old Effi Briest marries Baron von Innstetten – a former admirer of her mother – who is twenty years Effi's senior. This marriage of prudence heralds the beginning of a humdrum life, far from home, for Effi. Innstetten devotes himself entirely to his political career, and the sleepy small town of Kessin has very little to offer in terms of variety. But then, one day, Innstetten's old regimental comrade, Major Crampas – a charming womanizer – arrives on the scene.

Old Matthiesen isn't really very friendly with his daughter Esther. She has fled to her parents' riding stables with her 105-kilo bundle of joy son David because her boy is in trouble with the police again. To her and, above all, Matthiesen's surprise, her sisters Rahel and Thirza also flutter back into the nest: they all bring problems with them - and yet they want to help dad pay off his "latrinous" farm...

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.