Liz Robertson

Maya DiMeo is a mom on a mission who will do anything for her husband, Jimmy, and kids Ray, Dylan, and JJ, her eldest son with special needs. As Maya fights injustices both real and imagined, the family works to make a new home for themselves and searches for just the right person to give JJ his “voice.”

Tom and Barbara Good escape the rat race and pursue a self-sufficient lifestyle in Surbiton, much to the concern, frustration and sometimes envy of their neighbours Margo and Jerry Leadbetter. Entitled ‘Good Neighbors’ when shown in the USA.

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

'Hey, Mr Producer!' features selected scenes from the productions of the world's most successful musical producer, Cameron Mackintosh - classic songs from classic musicals performed by the ultimate cast.

The first Broadway production of the Tony Award winning musical Follies was presented during 1971 in New York City. Since its premiere, performances of Follies have been staged across the United States, England, Ireland and Australia. It would take over 40 years for the French premiere of the Stephen Sondheim musical about a Broadway theatre in decline. Performed in Toulon, the French premiere of Follies featured an international cast and was staged at the Toulon Opera House in 2013.

Archival footage provides a glimpse into the life of Cameron Mackintosh; the storied producer famous for Les Misérables, Phantom of the Opera, Cats and many more.

In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.

Despite his HIV-positive diagnosis in the early 1980s, Russian-born ballet dancer Rudolf Nureyev continued to dance and work as the director of the Paris Opera, as chronicled in this documentary that focuses on Nureyev's final years. Through interviews with colleagues and friends and archival footage of his performances, the film touches on the dancer's early years, his success and his later years as he struggled to continue dancing.