Kiettisak Tocuwieang

In a time when love between two men is still unaccepted. They choose to hold their own wedding not for recognition but to live their truth and find happiness on their own terms.

Thailand, 2030 — In an era where the government has legalized euthanasia through the organization ITB (In The Blink), Doc, a middle-aged “Negotiator,” is tasked with screening and evaluating those who request to end their lives for valid and justified reasons. But when a radical youth movement demands the legal age for euthanasia to be lowered — sparking debates over whether life’s achievements should come early, or even matter at all — tensions erupt and spiral into a crisis Doc and the organization could never have foreseen.

On a quiet night in the library, a young librarian prepares to head home alone, until something lurking in the shadows begins to creep closer.

Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.

A man lies asleep on a bed. A gust of wind. A rumbling. He walks around, taking photographs. Messages from both his dreams, and mine, where we are haunted by people in student uniform.

No description available.

The long shot story of Kate, who was kidnapped in a certain place to be interrogated by Hia Tui, the mafia gang leader, about the attempted assassination of Hia Tui himself, in which Kate becomes the prime suspect.

A short story in three parts—verbally contemplating on the death of an insignificant person—riddled with self loathing of both the living, and the dead. For death is a bitter tasting joke with no set-up; only a shocking punchline leaving those who remain with the unbearable weight of grief and longing.