Randolph Peters

The Atwood Stories was a Canadian television drama series, which aired on W in 2003. A short-run dramatic anthology series produced by Shaftesbury Films, the series dramatized six short stories by Margaret Atwood.

1851, Manitoba's Red River Valley. As winter sets in, a young woman on the edge of madness arrives exhausted at the fort, a wilderness station, claiming she murdered her husband. She's placed in a cell; for the next several months, she sews while the local prefect, Henry Mullen, investigates.

An archaeological expedition journeys to Manitoba, Canada, in search of a legendary crucifix supposedly buried in an ancient Viking grave.

The story of two very different boys in the Canadian wilderness. They must learn to depend on each other in order to survive.

A police constable guns down a First Nations chief one snow night in Winnipeg, a tragedy that will impact the community for years to come.

Jerry Bines is trying to live down a past that includes killing a man (in self-defence), theft and an alcoholic, abusive father. He sees hope for redemption by providing life-giving bone marrow to his leukemia-stricken son. But time is running out because an escaped killer (Gary Percy Rils) is coming to town to exact revenge for ancient sins. And like the old buck in a backwoods tale he spins for his kid, Bines must stop running and turn to face his hunter.

The Pedlar is a dramatic film based on the short story by W.D. Valgardson, A Place of One's Own. Tired of the rootless, lonely existence of a travelling merchant, a man searches for a place to settle down, and someone to share his life.

This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.

A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"

Morag Gunn, a writer who is having trouble with her teenage daughter, examines her own relationship history, which includes a period of turbulence with Jules. While she and Jules have known each other since childhood, he is no rock of stability. In addition, he is white, while she is part Native American, so the teenage Morag experienced racism he can only imagine. Even after they have a daughter, she struggles against the emptiness within her.

This animation film celebrates the creative process--its beauty, fury, and consequences. It is a highly stylized and impressionistic rendering; each scene corresponds to a step in the process. Black and white photographs, representing reality, are overlaid with animated colour drawings, representing fantasy. It illustrates the artist braving creative storms, indulging runaway imagination and learning, by trial and error, to take possession of his creative energy. Film without words.

“Ideas and inventions are a strange thing.” William H. Loewen’s dynamic support of the arts has translated into a blossoming of imaginative work in Manitoba and across the country. Bolstered by an all-Manitoba creative team, director Mike Maryniuk sets documentary against experimental animation and a unique musical score to explore what it means to nurture creativity and see it grow.

In the fall of 2021 playwright Robert Chafe set out on an interview tour of eastern Newfoundland, asking residents of coastal communities why they live where they live, and how they might see their future. The responses offer a new way to think about the love, risk, and resilience of living on the edge of a changing ocean. Produced and directed by award-winning filmmaker Barbara Doran and Jerry McIntosh, Taking on Water takes the audience through the process of developing the musical-dramatic performance of the same name from local conversations about ocean and coastal change to final performances on the stage.