Iche Mambush

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

"I believe that every artist needs to be reborn", declares Marcel Janco, one of the co-founders of the Dada movement. Janco, 82 during filming, tells in this film about his various periods as an artist: from the first sketches on a school notebook, to the foundation of the Dada in Zurich, ending with foundation of the artists' village Ein Hod in Israel