Ivana Roščić

Follow the intertwining stories of four strangers who are bound together by a violent event.

A deep dive into the Bosnian War, that tore the country apart at the dawn of the 1990s, A Life’s Worth explores with intensity the unimaginable dilemma faced by the peacekeepers sent to the region, unable to intervene in a conflict that was beyond their control. A gripping series and a much-needed look back at one of the most violent wars in recent European history, prompting an essential discussion about the weight of commitment, interventionism, and the cost of peace.

Yugoslavia, late 1980s. Parents and son are hastily making the final preparations for Christmas Eve dinner. Their beloved uncle will be turning up from Germany any minute now. But, hang on, are things really as they seem? An unnerving debut à la Haneke that cleverly balances on the edge of farce and oppressive thriller while ingeniously toying with narrative structure.

No description available.

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

Arriving on an island, a young woman embarks on a journey to discover her identity and place in the world. Her experiences on the island unravel a tapestry of past events, bringing hidden truths to light. As the situation grows increasingly complex, she is driven towards a profound reconciliation and acceptance, starting with herself and gradually encompassing those around her.

Siniša Mesjak, an arrogant and ambitious politician on the rise, finds himself in the middle of a scandal. To hide him from the public, the president appoints him as the commissioner of Croatian government on the furthest settled island Trečić, where he is tasked with the organization of local elections. The previous seven commissioners haven't succeeded.

When Alma discovers that her father’s company plans to demolish the playground, she gets determined to save green areas. Alma has no choice but to join forces with her worst enemies – Luna’s skate gang.

Antonio and Nikola are inseparable friends who live across the road from each other, and share a love of pyrotechnics and mobile phones. Their families have been in dispute for years over an easily resolvable problem: the water that flows from the top house to the bottom house. The boys’ friendship, as they are about to enter puberty, is put to the test at Christmas time when their families uncover much more dangerous secrets and interests, and the water just carries the hate of the adults to the children.

The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.

Man finds himself stuck in the moment between his wife's disappearance and new life created by his daughter and a new woman.

In the mid-20th century, in a forested valley between Italy and Yugoslavia, a stingy widower befriends a young woman and helps her depart across the ocean to find there a better life. A chance encounter gives rise to a dreamy parable on loss, loneliness and the power of imagination.

A stormy winter approaches and a small Dalmatian island soon becomes more and more deserted. A typical Croatian family featuring members from across the generational pool gathers in a small dilapidated household in order to discuss inheritance. However, the discussion quickly takes a snappy twist as new questions begin to pop up that start bringing the crumbling tradionalist family structure down. One of them, a woman named Anica, is determined to keep the situation afloat, no matter what risks it may pose.

Nine short films are connected into one whole, and they describe life in Croatia's capital of Zagreb.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

During a reality show a war starts, but the producer will do anything to hide it from the contestants.

A successful but also hedonist young man gets afflicted with HIV by accident, eventually being abandoned by everybody around him. He becomes a problem for society until meeting another unfortunate person like him.

While researching or playing a role, an actor decides to quit acting and live the life of their character instead.

Iris is ingenious neo-noir comedy set in Croatia 90, in the gloomy post-war era dominated by tycoons, corruption and war profiteers.