Helena Buljan

A widower from Split arrives in Zagreb for a medical checkup and disrupts his son’s family everyday.

Allied prisoners tunnel out of a stalag, then return to avenge fellow escapees executed by the Nazis.

The extended version of the eponymous film served as a TV mini-series. The plot is centered in the city of Karlovac in 1992, during the Croatian War of Independence. The front lines, where Croatian and Serbian forces fight each other, lie near the city. Meanwhile, in the city of Karlovac, a Serbian civilian Vasić is murdered. The story follows the local police officer Barbir (Dražen Kühn), who tries to solve the murder in spite of ethnic hatred and war revolving nearby.

An adaptation of Ivo Kozarčanin's novel of the same name and consists of four episodes. The protagonist is a young official named Valentin, and the plot shows his childhood, growing up and a disastrous marriage that will end in murder.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

A pseudo biography of Dora Pejačević (10 September 1885 - 5 March 1923), a Croatian composer.

After spending 13 years in prison, forty-year-old Djuka Begovic returns to his home-village in Slavonia. He promises to his mother that he will begin a new and honest life. He finds new meaning in taking care of his daughter Smilja. He tries to chase away destructive thoughts that threaten to overwhelm him by throwing himself into hard work. However, everything around him reminds him of his past and his family's tragic destiny. His family was wealthy at the beginning of the twentieth century, but was destroyed by the capitalist powers that took over the villages and broke the traditional family cooperatives. Djuka's personal life was marked by constant conflicts with his father.

After returning from the Eastern Front to their small Croatian village as veterans of the First World War, Jovan Stanisavljević (nicknamed Čaruga) and his comrade known only as Mali join forces with the gang led by a local bandit and communist revolutionary Boža The Red. After Boža is brutally murdered by law enforcement officials, Čaruga takes over as the gang's leader, turning them into a bloodthirsty troop that won't take no for an answer.

A farcical parody about a group of upstarts who, in the imaginary seaside town of Cipoli, clash with the Venetian cops, led by the comical captain Trapollo.

Ante is a village fella who arrives in Zagreb to study at the faculty of forestry.

Adem, a Bosnian coal miner who spends his days digging in the dark depths, and in very harsh conditions, is praised for his work and achievements and known as an exemplary socialist worker.

The main character Struja (Stream) is an unyielding rock musician in a demo-band called When Dirty Harry Met Dirty Sally. Struja would do anything to gather money to record the album as long as it doesn't involve giving up his rock musician beliefs. However, playing pop songs at weddings seems to be the only way out, and the rest of the bend - Struja's best friend and keyboard player Mario (Ivan Duricic), Deni, a handsome singer and bass player (Ivan Glowatzky) and Zlajfa, an indifferent drummer (Hrvoje Keckes) - are trying to persuade Struja to make a compromise. At the beginning he is very firm and reluctant to give in, but when Anja, the girl he left, announces that she is pregnant with his baby, Struja suddenly realizes that there are bigger issues in life than playing at wedding.

Musicologist and professor Kosor wakes up in a hospital. He has survived a serious car accident. In a bed next to his lies the amiable economist Gajski, whose wife Melita regularly visits him. This unusually beautiful woman is the first person that Kosor sees after he gains consciousness and is completely enchanted by her. Kosor becomes obsessed by Melita’s physical beauty and her trustworthy character and begins a risky game of writing and sending her anonymous love letters…

The adaptation of a lesser known novel by Nobelist Ivo Andric, which describes the life of a spinster who was overwhelmed by a single passion: avarice.

Two friends try to tear out their lives from the clutches of idle. An existential study of ordinary lives led by two alienated urban white collar workers, Accidental Life was the only feature film of Ante Peterlić, Croatian film theorist and film critic. The film received mediocre reviews and went largely unnoticed after its release, but has been reevaluated decades later as one of the best Croatian films ever made.

A theater premiere of Timon of Athens ends with a rapturous applause from the audience, and Boris, the lead actor (Boris Buzančić), is congratulated for having played the role of his lifetime. Encouraged by the sense of his own worth, he starts a romantic affair with a prompter, spurring gossip in the theater. The ensemble embarks on a tour, but as their performances achieve more success, Boris is becoming less liked among his colleagues, and he begins to experience the fate of the character he is playing...

A film about a small-time gangster, a loser who seems is finally on the road of going straight.

Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

A Partisan unit goes into battle with the enemy twice stronger, somehow resists detachment to attack deep into the night, where the fraud are captured combatants from all units and thrown to the terrible torture and eventually murder.