Hugo Gottschlich

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

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In Alt-Köstendorf in the Salzburg region, the dean, known as Seelenbräu, and the brewer Hochleithner, known in the village as Leibesbräu, are fighting for supremacy. As their nicknames suggest, Leibesbräu is primarily concerned with the physical well-being of the villagers, while Seelenbräu cares deeply about the faith of his congregation. This leads to repeated clashes between the two men, who could perhaps be described as stubborn. When Hochleitner's niece Clementine leaves the convent and wants to stay at home, a new dispute flares up between Seelenbräu and Leibesbräu.

The actors Heinz Doll, Hans Stiegler and Werner Mack have failed to look after the end of the last season in time for a new commitment and are now unemployed. Since they are just right that the Salzburg mountain hotel "Zum Blaue Enzian" staff looking for.

Franz Schubert toils by day as his father’s clerk while secretly composing in Beethoven’s shadow, gaining little recognition until friends persuade publisher Diabelli to host a public performance where he meets and falls for soprano Therese Grob. Abandoning a teaching career, he moves in with artist and poet friends, finds inspiration for the “Erlkönig,” and together with Therese sustains himself by performing his songs.

When the First World War breaks out in 1914, Josef Schwejk, a naive dog dealer in Prague, joins the Imperial Army.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?

The film portrays the assassination of Archduke Franz Ferdinand of Austria in 1914.

After marrying Hofrat Geiger, Marianne moves to Vienna to be with her husband. She runs the household while her daughter attends the music academy. But Mariandl is heartbroken. She constantly catches her Peter in strange situations with other women. Marianne, on the other hand, constantly has to listen to the innuendo of Franzi, Geiger's long-time housekeeper, who would have loved to be a Hofrat herself. Frustrated, mother and daughter decide to leave Vienna and visit their grandfather. He has inherited a dilapidated farm in the Wachau region, where horses are kept, awaiting shipment to Italian slaughterhouses. Through two benefit concerts, the talented music student Mariandl is able to raise enough money to buy the horses' freedom.

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The Hungarian noble Nikki von Kormendy is traveling incognito as a blind passenger on the Danube ferry "Fortuna". Captain Korngiebel keeps him busy with various tasks. When the young singer Anny Hofer comes on board, both men fall in love with her and compete for her affactions. Out of sheer jealousy, Korngiebel lets his ship run aground and now fears for his captain's license. But Kormendy generously acquires the boat and leases it to Peter and Anny ... with the sole condition that the ship bear his name from this date forward.

A unlucky village railroader causes a trainwreck by accident. In court he is exculpated by a woman who first becomes his lover, later on his wife. But in the end, his guilt is too strong and he faces his due punishment.

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The innkeeper of the Linden Inn is struggling with her debts and her rival, the butcher Kilian. A boost comes when the young interior designer Helga furnishes the inn with furniture from a nearby castle. In the process, she falls in love with the estate manager, Fred, who is an avowed misogynist...

Leopold and Franz are coach drivers and best friends. Their relationship gets strained when Franz decides to modernize by buying a taxi cab. Leopold, grumpy keeper of tradition, is not pleased.

The meticulous court councilor Geiger suddenly realizes: 18-year-old Mariandl, who is applying to study music with him, is his own daughter. Remorsefully, he decides to fulfill his fatherly duties and travels to Dürnstein, where he met Mariandl's mother, Marianne, 19 years ago. She runs an inn that is on the verge of bankruptcy due to a lack of guests. Marianne is forced to marry a wealthy hotelier. But when Geiger suddenly appears before her, old feelings rekindle, and more than just friendship develops between Geiger's secretary, Peter, and Mariandl.

It is the year 2000 and the World Global Union is in charge, although other countries are allowed to elect their own government leaders, as long as they support the Union. When Austria's newly-elected president, played by Josef Meinrad, makes his inauguration speech he declares Austria independence and issues an edict ending Austria's financial support for the Global Union.

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