Robert Lindner

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Crime Thriller with Helmut Qualtinger as Chief Inspector who investigates a Murder in 1961 Vienna. The murder is based on a real murder, the "bathub murder", which gained quite some media attraction in austria in the 1940's.

A Tyrolean rifle regiment adopt a young baby girl they have rescued and she becomes the "Daughter of the Regiment". In 1811, as a full-grown woman she falls in love with one of the new recruits while the regiment battles French forces during the Napoleonic Wars.

In Alt-Köstendorf in the Salzburg region, the dean, known as Seelenbräu, and the brewer Hochleithner, known in the village as Leibesbräu, are fighting for supremacy. As their nicknames suggest, Leibesbräu is primarily concerned with the physical well-being of the villagers, while Seelenbräu cares deeply about the faith of his congregation. This leads to repeated clashes between the two men, who could perhaps be described as stubborn. When Hochleitner's niece Clementine leaves the convent and wants to stay at home, a new dispute flares up between Seelenbräu and Leibesbräu.

A wealthy man murders his wife, then marries a young woman who becomes suspicious of him.

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The Habsburg Empire between the Reformation and the approaching Thirty Years' War: upheaval, awakening and change, which culminate in the political and human catastrophe of a cruel slaughter.

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The film tells the story of a young Jewish woman who, during the Nazi era, is hidden by her friend, treated in a hospital using her identity papers, and dies there. As a result, her friend loses her official identity. For the first time, the question of the behavior of friends, neighbors, caretakers, and strangers during the persecution of Vienna's Jewish population is raised. Ostensibly, "The Other Life" is a gripping play on identity, but overall, it is an astonishing demonstration of the civil courage of Alexander Lernet-Holenia (1897-1976), who, shortly after the war, addressed the then-taboo subject of the persecution of the Jews in his literary work. The ambitious film studio of the Theater in der Josefstadt, which did not last long, took up the material and filmed it with the theater's actors.