Claudine Baschet

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

As the owner of Camping Paradis, Tom Delormes and his team must handle the summer rush and deal with any problems that may arise, all while doing their best to keep their guests happy. He also has to keep an eye on his younger sister, Elsa...

A beautiful young gold-digger mistakes a lowly hotel clerk as a rich and therefore worthwhile catch.

Josephine doesn't like her job and keeps on having relationships without a future. Her sister and parents keep pushing her to find a good husband. To shut them up, she creates a handsome Brazilian millionaire but her little white lie has a flip side - she loses everything to find the love of her life.

French film icons Gérard Depardieu and Fanny Ardant star in this romantic comedy about a Parisian couple in their fifties who share a comfortable life, a beautiful home, a posh country club and a midlife crisis. Following a dream vacation to Israel where Alain (Depardieu) explores his Jewish roots, Gisèle (Ardant) insists they change their life and move to Tel Aviv. While Gisèle, a Jewish convert, finds her new life inspiring; Alain fights to embrace Hebrew, Jewish tradition and a new circumcision. Will Alain and Gisèle learn whether Shalom represents Hello or Goodbye?

Stéphanie grew up with an absent mother and a brutal stepfather. One day, she knows, she'll leave the city to live the life she's always dreamed of.

All the people in this countryside area, can count on Jean-Pierre, the doctor who auscultates them, heals and reassures them day and night, 7 days a week. Now Jean-Pierre is sick, so he sees Natalie, a young doctor, coming from the hospital to assist him. But will she adapt to this new life and be able to replace the man that believed to be irreplaceable?

Four women, all journalists for the French daily "Libération", decide to have, over the course of a week-end, an experience with a male prostitute.

Paris 1930. Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a sovereign and wild region. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

We see a succession of scattered glam images: beat-up figures on lucid papers and dreamlike landscapes, until the (apelike) apparition of a model and her photographer. Together, they will play martyr and demiurge. They will attempt to achieve grace in a world of moving surfaces.

A young woman, aged 20–25, with an arrogant look on her face, appears in a photo in the film. We know that she has the same first name as Louise Michel. But who is she? What connects her to Madeleine?

Telma, twelve years old, is passionate about literature. She assiduously prepares a competition for budding writers. But her mother has other ambitions for her. Telma and her mother clash...