Kialy Tihngang

In this profound meditation on Black aquatic experiences, Barfod weaves experimental animation with intimate conversations with Black swimmers from Glasgow and London.

This video is part of a practice that looks at opulence as a display of oligarchic overindulgence from a privileged few, distorting and multiplying the shapes of extractive industrial machinery, and the interior aesthetics of dictators’ homes and private jets

Silenced by misogynoir, monotony and pinstripes, Office Girl flees from the workforce of an elderly prawn cocktail-guzzling capitalist, only to find herself in a new corporate netherworld led by a suspiciously slick new boss with a sinister secret.