
Hija de Perra
Acting
Biography
Hija de Perra (which translates to Daughter of a Bitch) was a radical Chilean performer, writer, and activist known for her confrontational, provocative, and deeply political work that challenged normative ideas about gender, sexuality, the body, and beauty. Active primarily in the 2000s until her death in 2014, she became an iconic figure in Latin America's underground art and queer scenes. She deliberately refused to reveal her legal name, viewing it as part of a patriarchal and heteronormative identity system she sought to dismantle. Her persona and stage name were a statement against the domestication of bodies and identities by societal norms. Hija de Perra died in 2014 from cancer, but her influence endures in queer, feminist, and dissident art and activism throughout Latin America. She remains a symbol of radical resistance — not only for what she said, but for how she embodied her politics. Her legacy is celebrated by those who continue to resist the binary, the normative, and the sanitized.
Known For

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Yo, La Peor de Todas

Hija de Perra was a transvestite artist who would become an icon of dissidence and a benchmark for Latin American underground, after she died in 2014. Multiple intimate and unpublished audiovisual footage, captured by her filmmaker best friend, reveal how this character came about. She experimented in music and film, wrote texts for the academy, and turned his cross-dressing into a political action, questioning gender and sexual identity.
So Filthy and So Happy

"Hija de Perra" (Daughter of Bitch) , a woman who together with his servant and slave "Perdida" (Lost) are engaged in selling in a free fair pies of pine made of human flesh. The obsession of Hija de Perra to revive Caballo, her dead husband, leads her to come into contact with supernatural beings capable of returning life to her beloved, in exchange for a great offering.
Empaná de Pino

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Niño Bien
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Perdida hija de perra

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Indecencia Trance

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No Pasa Más

The story of a woman with healing powers. To save her best friend from a violent and tortuous relationship, they both decide to leave their small northern town for the big city, relying on their gift to survive. Not knowing that they would face the Machiavellian business of pharmaceutical laboratories, which will do whatever it takes to kill the new competition. The odyssey of this woman and her friend will lead them to know love, success and fame, but also the violence and ambition of a business that no longer has any conscience of morality or human welfare.