Acting
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A waitress takes all the gossip of a small town on the Rhine in stride, in spite of a distinguished composer being a loving husband and father for her illegitimate child.
Heinz RĂĽhmann plays the "model husband" who, when his bored wife threatens to leave him, embarks on an adventurous night.
Am grĂĽnen Strand der Spree was a five-part German television movie which first aired in 1960. It was based on a novel by Hans Scholz and has been called a StraĂźenfeger in German, a television program that was watched by so many, the streets were empty. It was produced by German broadcaster Nord- und Westdeutscher Rundfunkverband in Cologne, Germany.
This semi-musical stars Lenv Marenbach as Jana, a naĂŻve farm girl who falls in love with a neighbor boy. It isn't long before she realizes that the romance is a mistake, but by now the couple is engaged. At the very last moment, Jana balks at the altar and runs off with her true love, her fiance's brother. This is the German-language version of the Czech film, JANA, starring Helena Busova.
The Berlin Volkseigene Betrieb (VEB) Komet is planning a company outing. Willi Redlich, member of the party committee, votes like the others: The relatives stay at home. But he doesn't dare tell his wife Susanne. So she does the work of renting the "Waldschlösschen" restaurant for him - without his knowledge. When Willi wants to book the seats, everything is fully booked and he switches to the "Sonnenburg" opposite. Meanwhile, word has gotten around among the women that they are excluded. They plan a counter-event. On the day of the excursion, both groups are sitting in their inns and the women make sure that they can still celebrate together.
On his travels, Paul, a journeyman from northern Germany, runs into a childhood friend, Lisei, a puppeteer's daughter. They fall in love and get married. Together with Lisei's father, the young couple moves to Paul's hometown. Although Paul himself is accepted - even respected - by the stuck-up and snooty citizens, the young woman is rejected by the town dwellers, who are imbued with class arrogance. Paul stands up for his wife but the scorn and abuse heaped on her weigh heavily upon him.
Set against the backdrop of the 1900 Boxer Rebellion...
The engineer Wolff Benningsen (Volker von Collande), a self-assured and ĂĽber-obnoxious jingo jerk meets the young art student Vika von Demnitz (Leny Marenbach) while climbing in the Alps. One get's the idea that he would like to knock her over the head with a club and drag her to his cave but since this is out of fashion he decides to stalk her and annoy her heavy-handedly into a full submission. Understandingly, she instantly dislikes the lad and tries to shake him off. She succeeds a few times but then starts to suffer from some kind of Stockholm syndrome and falls for him. But that's not enough for him, being an infantile egoist he wants to tame the "wild bird" fully and break every last bit of her own will. It's all hard to believe if you haven't seen it yourself.
On the afternoon of Christmas Eve, Sister Angelika bids her boss, Professor Reimers, farewell, for she has quit her post. Reimers doesn’t understand the reason for this and since she won’t say a word as to why she’s quit, he asks her to spend the evening with him and his son Konrad. Konrad, however, wanted to take advantage of the holiday to bring his divorced parents back together and sends Angelika packing as soon as she reaches the house. Disappointed and sad, she drives to the airport to meet Captain van Santen, who also invited her to spend the holiday.
Nora and Peter constantly fight and wish to divorce. Nora's uncle Eberhard, however, believes the two belong together and comes up with a plan to bring the two back together again: as a lawyer, who is processing the divorce, he explains to them that the paperwork for the divorce is completed, but will only go into effect once they undertake a reconciliation attempt. For the first reconciliation meeting, Eberhard enlists the help of his friend Christa and together, they turn Nora into such a hot tamale, that Peter burns with jealousy that any other man might look at her. At the second meeting of the two, which takes place a year later (how long do divorces in Nazi Germany take?!?!), Nora plays the girl abandoned by everyone. In the interim, she's given birth to Peter's son -- which apparently does not count as a reconciliation -- and Peter has become a successful composer. When Nora again disappears after this meeting, Peter does all he can to win her back.
During a house concert, the Bach family gets a visit by their son Wilhelm Friedemann, who has just given up his position in Dresden because he no longer could endure the reprisals of his superiors.
Against her father’s wishes, the ringmaster Wallner, Helga forms a connection with the wild animal trainer Peter. After he is almost killed during an appearance, he promises his mistress, that he’ll never work with wild animals again. From that point on, he works with Helga on safe horse numbers. When Helga finds out from Peter’s friend Otto, that Peter would rather work with wild animals again, she doesn’t want to stand in the way of her beloved’s dreams. Helga disappears and leaves Otto enough money to buy Peter a new group of lions. For a long time, Peter and Helga do not see one another, though neither can forget the other. When Helga hears from Otto one day, that Peter is practicing a very dangerous number involving wild animals, during which Otto is to play the “lead”, Helga makes a fatal decision, so she might see Peter again.
In the Werra valley near the border is one of the five soda factories of the GDR that once belonged to the powerful Solvay group. After the war, they moved the headquarters from Berneburg to Frankfurt, but some people loyal to the groups bosses remained to sabotage the production in the now nationally owned factory.
A young actress in love ensnares the director she admires by successfully playing the role of his ideal woman—the homemaker.
