Matheus Perdiz

Judas Silva, the private detective specializing in surrealist cases, exposes intimate details of his personal life and shocks the audience.

During a screening of Oedipus Rex in a run-down movie theater in downtown Rio, three peculiar characters—a frustrated projectionist, his intern, and a wandering poet—decide to interrupt the film to discuss the death of cinema. The audience revolts. So does the film.

Paula Sangria, a woman on the run after murdering her husband meets Agnes, a foreigner seeking disappearance and erotic annihilation, as they wander through a fictional winter city inhabited by grotesque figures, sexual repression and moral decay. While their relationship oscillates between desire, exploitation and violence, a disturbed sensationalist journalist obsessively stalks them, projecting his fetishes onto their bodies and crimes. What unfolds is a fragmented odyssey through a corrupt territory where intimacy becomes spectacle and survival itself turns obscene.

Judas Silva welcomes a guest into his apartment and together they must find “The Idea” hidden in the heart of Copacabana.

No description available.

No description available.

Pedro accompanies his girlfriend, Flor, to a dinner party with his school friends. The nostalgic atmosphere soon turns into tension when they unearth a time capsule from 10 years ago. Inside, letters and a newspaper article suggest that Lydia Leal's death may not have been a suicide and accuse the guests of being involved.

Judas Silva, an unorthodox private detective specialized in "surrealist cases", finds himself in the middle of a conspiracy involving a promising bossanova artist, her missing music producer, a sadistic enemy and his masochistic followers. Cainã de Paulo's second feature film, co-written with Pedro Valle. Now in pre-production.