Camera
During a screening of Oedipus Rex in a run-down movie theater in downtown Rio, three peculiar characters—a frustrated projectionist, his intern, and a wandering poet—decide to interrupt the film to discuss the death of cinema. The audience revolts. So does the film.
In the midst of the end of times, five young people from different social backgrounds find shelter in an apparently abandoned tenement. The catharsis makes them look at themselves and, naturally, at music.
Judas Silva, an unorthodox private detective specialized in "surrealist cases", finds himself in the middle of a conspiracy involving a promising bossanova artist, her missing music producer, a sadistic enemy and his masochistic followers. Cainã de Paulo's second feature film, co-written with Pedro Valle. Now in pre-production.
Paula Sangria, a woman on the run after murdering her husband meets Agnes, a foreigner seeking disappearance and erotic annihilation, as they wander through a fictional winter city inhabited by grotesque figures, sexual repression and moral decay. While their relationship oscillates between desire, exploitation and violence, a disturbed sensationalist journalist obsessively stalks them, projecting his fetishes onto their bodies and crimes. What unfolds is a fragmented odyssey through a corrupt territory where intimacy becomes spectacle and survival itself turns obscene.
Judas Silva welcomes a guest into his apartment and together they must find “The Idea” hidden in the heart of Copacabana.
Judas Silva, the private detective specializing in surrealist cases, exposes intimate details of his personal life and shocks the audience.
Pedro accompanies his girlfriend, Flor, to a dinner party with his school friends. The nostalgic atmosphere soon turns into tension when they unearth a time capsule from 10 years ago. Inside, letters and a newspaper article suggest that Lydia Leal's death may not have been a suicide and accuse the guests of being involved.
No description available.
