Kate Foley

Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.

Roland “Rolly” Gentry is a hardened private eye who thought he’d seen it all. But when a mysterious woman steps into his office and asks him to have a “talk” with her ex-husband, Rolly is tossed into a seedy world where not even his entire collection of self-help books and CDs can assist him: Suburbia. As he delves ever deeper into the darkest corners of homeowners’ association politics, he faces a threat not only to the façade of stabilty society presents, but to the inner wisdom within his own secret soul.

Up-and-coming politico Robert Soxer is making a last-minute campaign appearance at a small kitchen and bath remodeling shop. The shop’s owner, Leon, is an ardent supporter, and takes Soxer and his entourage on a quick tour. Meanwhile, shop worker Rachael, despondent over her recent breakup with coworker Rick, makes a startling discovery — the candidate is far from what he appears to be, giving new meaning to the term “political machine.” As the group leaves, Rachael tries to convince Rick of what she’s seen, but he misinterprets her warnings. Will Rachael be able to stop Soxer’s ascent to power and redeem herself in Rick’s eyes?

Richard and Kate have lost everything: Job, home, lifestyle. Now, with everything they own packed into their battered old station wagon, they’re just trying to make it to Cleveland, where Richard’s brother has offered a chance to start over. But making the journey is easier said than done, and when Richard’s plans to borrow money from an old friend fall through, they are left with no choice but to seek out an old flame of Kate’s for help. But will this truly be a chance to move on, or the catalyst for a larger life change?

Jack Reade is a mild-mannered academic who finally has a chance to publish his own Great American Novel. But just as he thinks his tome will see print, Pete Willoughby, a smug and influential editor, informs Jack that the book will remain locked in publishing purgatory. After an accident befalls Pete, Jack forges a desperate alliance with Carrie Singer, a disgruntled employee who also happens to be the book’s number-one fan. Together, they concoct an insane scheme to cover up Pete’s death and greenlight the book. Unfortunately, the publishing process is chock full of required approvals, and before long, other denizens of Dennison Publishing begin to fall prey to “accidents.”