Francisco Matiozzi Molinas

Rodolfo, a man who enjoys reading obituaries, reads his own epitaph. By trying to correct the mistake, he ends up fulfilling the fatal destiny announced in the newspaper.

Collective film made in times of confinement. April 2020. The film gives visual form to inner worlds—what the directors see and how they see it. How they inhabit their spaces, their bodies, their fears and perspectives in isolation, and how they connect with the “outside worlds.”

Francisco trains to swim across the Paraná River. A feat almost as impressive as completing the documentary he filmed eight years ago. Its protagonists, a group of former political prisoners who paint murals in homage to those who disappeared during Argentina's last civil-military dictatorship, come into conflict, and everything is chaotic for the film. Francisco immerses himself in a creative process, in which reality loses meaning when it intersects with his family's past and present.