Bruce Hutson
Camera
Known For

Witness internationally renowned glass artist Dale Chihuly at work in this high-energy documentary collection. This set, which is the first of its kind, reveals Chilhuly's creativity as he collaborates with his team and with two of the greatest glass masters. Journey with Chihuly through projects in the United States and around the world as he creates monumental installations and expands in the boundaries of glass art.
Chihuly

The man who made glassblowing an American art form meets the challenge of a lifetime with Stephen Wynn's 1998 commission of the world's largest glass sculpture. Watch as Chihuly creates, for the lobby of the luxurious Bellagio Resort, Fiori di Como, an explosion of color and light featuring over 2,000 "flowers" hand-blown from molten glass.
Chihuly at Bellagio: Fiori di Como

A film crew goes to Seattle to shoot a movie about a former adult film star who believes she is the Messiah.
American Messiah

Lady Be Good reveals the lost stories of female jazz musicians from the early 1920s to the 1970s. Narrated by musician-composer Patrice Rushen, the film charts the influence of female players from the struggles and successes of early innovators (Sweet Emma Barrett, Lil Hardin-Armstrong), through the rise of the all-woman big bands (Ina Ray Hutton & Her Melodears, the Hollywood Redheads), to the female musicians that were instrumental players (Dorothy Donegan, Mary Osborne) and arrangers (Mary Lou Williams, Melba Liston) for more famous male band leaders, including Benny Goodman and Quincy Jones. Unfolding over nine parts, director Kay D. Ray's debut film weaves provocative and often humorous interviews with female musicians, big band leaders, jazz authors, and historians throughout a film stuffed end-to-end with archival photos, recordings, and performance footage to create a documentary that restores an essential part of our musical history.