Ahmet Alim Yilmaz

Hasan returns to his hometown as a young teacher after years in Diyarbakır. An anonymous letter he receives at school pushes him to seek the truth to defend someone wronged. While facing personal dilemmas and societal pressures, he forms an emotional bond with his family’s old, abandoned house, as the lines between right and wrong begin to blur.

"When Mollie's routine between a real and surreal gets interrupted by an uncalled visitor, the line between reality and dream blurs."

Focusing on afterlife of a refugee woman (Reihan) after being murdered in a post-apocalyptic pandemic. The film debuted at the 43rd Manaki Brothers International Film Festival and went on to receive 1 award, 1 honorable mention, 2 nominations, and 3 official selections across 6 festivals. It was produced in the middle of the Covid-19 pandemic with a four-person crew, the story delves into themes of migration, belonging, and existentialism. Aiming to challenge conventional perceptions on life, death, and the space in between, inviting audiences to reflect on these universal concepts