Biko Erki

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From 9/11 to the Ukraine War: Five lifeworlds of post-migrant people in Germany, that have taken an unwanted turn in the shadow of public discourse.

There are large paintings showing views of houses wherever you look. Each house is meticulously outlined; at first glance, they all look the same. Sometimes they keep their distance from each other, sometimes they seem to float in the void. Combined in ever new arrangements, these houses seem strangely unlocalised. With stencil and brush, Johannes Kloosterhuis is already working on the next painting. Each house has its own story, but perhaps the idea of privately owned homes is an outdated ideal, he muses aloud.