Karel Malkoun

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

A Lebanese immigrant returns to Beirut for the first time in a decade, only to find love and horror by the sea, in the alleyways, and on the elusive rooftops of the city - right before the 2020 Beirut Port Explosion.

An 18 years old innocent aspiring writer tries to fight her loneliness, feel affection and be sexually relieved through lapses of moments created by an anti-conformist guy.

Miles away, I watch the slow erasing of my home. Scattered between two places, I am no longer anywhere.