Emanuel Schmied

Peter, a young, bankrupt homeowner, wants to sell his house and move in with his aunt Agathe in the countryside. In the meantime, his friend Albert and his niece Inge are supposed to guard the house. When he learns that the three crooks Boxer-Franz, Taschen-August, and Klau-Maxe are already living there, he breaks into his own house, where he encounters the three burglars, who mistake him for a "colleague." The crooks expect him to pretend to be the homeowner and want to keep the proceeds for themselves.

In medieval times, a horse merchant is forced by a noble to leave part of his stock as payment for crossing his land. Upon returning, he finds his horses near death, and when the noble refuses to compensate him, the merchant fights unsuccessfully against the injustice.

The son of a family of immigrants dreams of becoming a great soccer star and does everything in his power to make it big. He joins the provincial team, but soon realizes that true success can only be found in the city. So he leaves his hometown and heads to Vienna, where he finally has the chance to join a professional club.

A young ex-convict returns to his home village. But he soon realizes that nothing is the same for him as before.

In the year 1970 several Austrian newspapers reported of Viennese people beating a homeless person to death because they thought he had stolen 50 Schilling. This story was the foundation for the play JESUS VON OTTAKRING which Pellert brought to the big screen in his directorial debut. A parable about intolerance in society.

Grein, a truck driver, works for Sienmann, an undesirable man, dedicated to fraud.

Two young Europeans - Eva, a journalist, and her cousin, Mike, a filmmaker, want to make a film about the secret cult of the Makonde in Mozambique: "Magic Africa". On the hunt after the secret cult, Eva becomes aware of the heritage of colonialism: unemployment and civil war. Mike has only one thing in mind - to sell their travel film.

A guy having sex with a woman on a rooftop – just to get her coffee-machine.

The grotesque portrayal of an attempt at communication, graphically and rigorously depicted: In the LCB's second production, Peter Rühmkorf and Helmut Herbst bitingly trace a relationship story that is already over before it has begun.

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