Directing
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
The series is about a cruise ship that travels to places around the world.
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The paths of many people cross before Christmas Eve. Each of them has their own special story to tell on this day... On the morning of December 24, the doctor at the children's clinic leaves the hospital with a happy heart. The parents of little Matthias have reconciled with each other. As a farewell gift, the porter gives her a chocolate Santa Claus, which is to be passed on many times that day: at one or two fleeting encounters, as a nice gesture for other people. Fate plays a bit of a servant Ruprecht and distributes his gifts. Two lonely hearts are in a hurry to escape the hustle and bustle of the festive season. An accident brings them together. In exchange for a bottle of champagne to mark the shock, the sweet chocolate man switches to Ilse's divorced husband, who is drawn back into the bosom of the family at the same time every year.
Pauline Oswald is 50 years old and has three daughters with her husband Robert. Now, after almost 30 years of marriage, they are about to divorce. This marks the start of a completely new life for Pauline. Until now, she has only worked as a mother and housewife, while her husband Robert, an academic, brought home the salary. Pauline later meets the cheerful and resolute Wally, who works as a brigade leader in a large laundry. A friendship develops between the two women, and Wally helps Pauline to continue on her path to a self-determined life.
The "Astoria", an English luxury liner, collides with a freighter shortly before the end of its voyage and threatens to sink. Captain Mitchell, successful and envied, sets in motion an expensive rescue operation. He manages to avert a catastrophe and bring the passengers and the ship to safety. But the shipowner considers the operation excessive, calls Mitchell a coward and fires him. His career seems to be over. When his friends and his fiancée also make fun of him, he devises a cunning plan of revenge.
In the crisis-ridden Germany of the 1920s, the desperate Frieda Hausmann pretends to be her deceased husband Wilhelm so that she can support her family by employing him as a porter.
The real blue is the color with which potter Benito Guerrero makes his fortune. When he no longer receives the color from Germany as a result of the Second World War, he and his family's existence are threatened. However, with the help of his inventive cousin Ruben, he manages to bring his real blue back onto the market.
Four small-time crooks occasionally enlist the help of their girlfriends to earn a living by robbing cars. It is only when a former television producer joins the business that they achieve visible success.
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
A young woman named Karin Schröder studied biophysics in Moscow and has now returned to the GDR with her diploma. She is thirsty for action, eager to work and now wants to put her specialized knowledge into practice. But at Professor Angerer's institute, where she ends up, there are no opportunities to apply her knowledge. Although Angerer shows her a safe route up the career ladder, Karin sees this more as a means of keeping her quiet - so she turns down the offer. On her own initiative, she goes in search of allies in order to find her way after all. Angerer then instructs her to abandon her self-initiated work - which leads to both professional and personal disaster for the young woman.
Kollwitzplatz, Prenzlauer Berg: Children are playing and climbing all over the monument to Käthe Kollwitz, frowning adults are watching them. What would Gustav Seitz, the creator of the sculpture, say? Christa Mühl has asked him but reveals his answer only when the adults have finally disappeared. Until then, she constructs explosive matter as light as a feather, set to Belgian cembalo jazz and with the perky montage style that characterises her early documentary work. After Karl-Eduard von Schnitzler himself had the most controversial scene cut, the film could be broadcast on television and triggered a lively discussion about the practical value of art.
Can you climb and play on monuments? 47 years later, the documentarian Christa Mühl returns with Tobias Lenel and asks today's people what they think about the children playing around the Käthe Kollwitz monument.
Factory wife Jenny Treibel plans to engage her youngest, softened and weak son Leopold to teacher's daughter Corinna Schmidt. She wants to cross the plans of her daughter-in-law Helene, who wants to marry her younger sister to the brother-in-law. At the engagement party, Corinna learns from maid Luise that Leopold has a child with her. Corinna dispenses with the wedding, but for Mrs. Treibel, a marriage between Leopold and Luise is out of the question... The old Count Petöfy worships actress Franziska Franz, who would fit better with his nephew Egon in terms of age. He introduces her to his house and marries her. His sister, the strict Judith of Gundolskirchen, approves this step despite the age-appropriate and social distance. However, after a love relationship between the young Count Egon and Franziska, everything changes...
