Omar Mismar

Botox, Revolax, Sculptra, Hyaron, Juvederm: all sorts of products—perhaps not all entirely legal—sell like hot cakes in Bouba’s Lebanese beauty salon. Skillfully, though not always gently, she jabs a constant stream of clients with all kinds of injectables to temporarily reduce their facial wrinkles and frown lines.

Archaeology inspector and conservator Abou Farid shares part of his image library documenting the condition of mosaic works in the aftermath of several raids on Ma’arrat Al-Numan Museum in Idlib, Syria as well as the independent preservation efforts that ensued. The images give way to an aleatory conversation interweaving questions of cultural heritage and territory, preservation techniques and destruction, traceability and looting, and the production and circulation of images in times of war.