Camera
An independent photographer then meets his old friend as a client. Between their meetings, conversations arise and feelings are expressed.
NN lives in an environment that is completely at odds with who they are. Their past has made them lose faith in the concept of God—only the plants they care for and Yono, a man who runs a plant shop and seems to share the same beliefs, offer any sense of connection. One day, NN decides to prove that God does not exist and begins to challenge Him. One by one, their wishes are granted—but the consequences are far from what they expected. NN's life starts to change in unexpected ways.
The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.
Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.
Fahri is haunted by the spirit of his ex-lover, Amira, who is still demanding responsibility. In the waltz, Amira reminds Fahri of the mistakes he made in the past.
Arul an office worker who had to bury his dream profession. However, it turns out that he is not the only one who experienced it.
