Rifki Rosyad

Fahri is haunted by the spirit of his ex-lover, Amira, who is still demanding responsibility. In the waltz, Amira reminds Fahri of the mistakes he made in the past.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.

Abisatya Dharma (18), a high school student who dared to steal the money for the 1000th day commemoration of his late grandmother, had to experience mystical disturbances that led him to the meaning of family relationships.

One day, the cafe where Kevin works is borrowed as a filming location. At an unexpected time, Kevin meets Ranni, one of the make-up artists in the production crew. At the same time the clapper closes, they then imagine as if they were in a movie and do various romantic scenes. But when they are free from their imagination, they have to face the awkwardness and embarrassment of getting to know each other.

Arul an office worker who had to bury his dream profession. However, it turns out that he is not the only one who experienced it.

The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.

Generally, we know that a kuntilanak often cries and laughs, but we never really understand why. One day, Ms. K, out of boredom, decides to try a dating app and ends up meeting Mr. P. Eventually, they go on a date.