Bert Williams

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

A miniseries about American aviation pioneer and filmmaker Howard Hughes, based on the book by Hughes' business partner Noah Dietrich.

Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.

It's more fun than a barrel of monkeys. Regular village "cut-ups" are those actor chaps and actresses.

This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.

Bert Williams in his film debut, a now lost film.

A lovable scoundrel is busted for gambling and thrown into jail, where he dreams of playing poker - but even in his dreams, he loses.

In an unprecedented move for its day in 1915, Biograph Company executives hired actor Bert Williams to star, produce, direct, and write his own films, having full control, the first time a Black-American ever had such control given by a mainstream movie company. The two films made for Biograph were A Natural Born Gambler (1916) and Fish (1916). Bert lives in a rustic-looking cottage with his parents and two much younger brothers. The three sons have been ordered to chop wood, but Bert would rather shirk his chores and go fishing. When his father orders him to take kindling to the stove, Bert sighs and wearily totes a couple of tiny sticks while his kid brothers carry large stumps. As soon as he can manage to escape Bert does so, and happily fishes at a nearby stream. Almost immediately he catches a large fish, and decides to head for a more affluent neighborhood to sell his catch to anyone willing to buy it.

Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the local beauty. Filmed in 1913, but after considerable footage was shot, the film was abandoned. One hundred years later, the seven reels of untitled and unassembled footage were discovered in the film vaults of the Museum of Modern Art, and are now believed to constitute the earliest surviving feature film starring black actors.