Moisey Aleynikov

The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.

A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

The first Russian talking picture which won a prize at the 1st Venice IFF. The action is set in 1923. The USSR is struggling with hunger and economic ruin. It is a story of homeless teenagers for whom a work commune is set up with the idea of uniting and reforming them.

A 1925 Soviet comedy sponsored by the Soviet Finance Ministry, with a plot promoting the new economy. A small-town tailor, Petya Petelkin (Ilyinsky), bought a lottery ticket and handed it to his landlord, widow Shirinkina (Deykun) who wants to marry him. Petya is a hard-working tailor trying to start his own business. He is also in love with Katya (Maretskaya), whom he wants to marry. He has to survive a cascade of funny situations in the unstable Soviet reality, before his romance with Katya comes to a happy ending.

A young woman sharpshooter fighting with the Reds in Turkestan misses her forty-first victim, a handsome White lieutenant, and ends up escorting him, by boat, into captivity across the Aral Sea. A storm strands the two on an island.

A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

History of theft and double crossing when two thieves fall out over the theft of the money of the proceeds of the sale of a house by a banker to a religious community.

The rich widow Madame Collie leaves the fortune to her lost niece Maria Ivanova. Two cousins of Maria go from Paris to Moscow in order to search her. They have to find a 17 year old girl with the birthmark on her right shoulder. The documents of the heiress are hidden in her doll.

A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.

Three reporters and an office girl are trying to stop a bacteriological strike by some powerful western business leaders against the USSR.

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

Igor Savchenko's Accordion (Garmon', 1934) was adapted from a poem by A. Zharov. This film sheds light on the reasons why the mass song came into being. In it, the country boy Timosha stops playing the accordion after being chosen leader of the local Komsomol. When he understands that he must compete with the sad kulak songs played by Tlskliby ("Mournful"), he recognizes his mistake in abandoning his accordion, and in the end he gathers the other youths around him with his lively and merry songs.

In a remote Russian village during World War I, colourful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.

Fearing the Soviet Union, rich businessmen who want more influence in Europe decide to give the nation of Boufferia a new king, an easy to handle drunkard.

This documentary, made up of 3 episodes, is based on three songs sung by anonymous people in Soviet Russia about Vladimir Ilyich Lenin.

The events in the film take place in pre-revolutionary Russia. A riot of workers of a large porcelain factory is taking place. After the burning of one of the shops, Grunya's father dies in the fire. The owner of the factory caused the fire in order to obtain a fine from the workers. Grunya urgers the workers to fight, but is injured, yet she still urges the people not to give up.

The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

Two men shipwrecked on an island in the Caspian Sea are saved by members of a collective farm, where they work on its fishing boats and woo the young woman leading the fishermen.