Valerie Mara

Set in the 1600s, a group of women are filled with an uncontrollable desire to run, touch, and tear themselves apart

The act of penetration at its core is invasion, sometimes intensely and acutely desired and begged for and sometimes more complex. The sensation is intense and can be entirely changeable depending on the context in which the act takes place. This film is about invading and consuming. The monotonous, sterile mechanics of the fuck machine is hypnotic, the unwavering noise and repetition of movement that’s entirely oblivious to desire or want. It continues to thrust and fuck regardless.

Softness and wetness and opening yourself up. About consuming and feeding, being merged and joined. One consuming the other, both folding into each other, temporarily one.

Why do we like to be called Mommy? The archetype of mother looms over us across cultures, it’s powerful and ubiquitous so it’s unsurprising that it can show up in our sexual psyches.

The blinding light of someone's adoration burns out their ability to see inherent human complexity and messy contradictions and hypocrisies.