Ahmed Fouad Hassan

Hussein, a shy young man, is desperately in love with Samiha. However, Samiha is more interested in her singing and dancing cousin Lucy. Admiring Hussein greatly, Samiha's father attempts to help him and starts spreading the rumor that Hussein is having an affair with famous actress Hind Rostom, hoping jealousy will move the daughter's heart. The plan seems to work... until Hind Rostom herself comes to town.

At the door of Al-Hadra prison, three musicians gather in front of the prison, waiting for their friend out of prison, (Amin) who is just heading to an abandoned house to meet his friend (Joseph) the gang leader, and asking him for his right to the crime for which he entered the prison, gives him ten thousand A pound of clothes that he stole from (Nadia), (Youssef) asks him to know the location of the money that (Nadia) stole, and to get closer to her. (Amin) goes with his music colleagues to (Nadia) and asks her to work with her.

When Lamiaa goes to the police to find her brother's killer, officer Essam goes undercover to infiltrate the gang and tries to uncover the identity of the gang's leader and Lamiaa's brother's killer.

The dervish Alish dies and is taken in a majestic procession to the cemetery. When he ascends to heaven to be judged, he discovers that the sum of his virtues equals the sum of his sins, so he's sent back to the living in order to test him and decide whether he should enter heaven or hell.

(Ameen) The merchant who sees many nightmares in his dream about a young man who accepts him to kill him, which causes him to feel fear for what he owns, and goes to seek advice from a psychiatrist, and one day Ameen is surprised by the young man who always appears in all his nightmares as he applies to a job with him, and discovers Amine that this young man loves (Samia) Amin's daughter, which causes him to address this relationship, refusing to associate with her.

A café on the road where motorists meet and run by Hafida and leads a gang with Adham, Sanad and Hindawi, her daughter Bahia dances to the pioneers of the cafe and seeks Adham to marry her, but she turns it off. It is the cause of its drowning.

Three young men spend their summer at a camp in Alexandria until they cross paths with Mona who suggests that they stay at her grandfather's abandoned villa. Abdel Rahman proposes to turn it into a boardinghouse.

The film revolves around: Adel (Abdel Halim Hafez) a boy left his father a great building, fades away in the bar, and in the health of Kiki (Farida Fahmi) .. Equally rival is Noufal Syriacusi (Abdel Salam Nabulsi) Zaki Ibrahim al-Thara, Nawfal takes the money and sends it to bottles of champagne under Kiki's feet. Adel visits his uncle (Hassan Fayiq) and sees for the first time his daughter (Siham), the meeting between Adel, and his uncle ends with a fury, Adel Fattzura (Siham), meets Siham at her cousin's house in Nouvelle, She loves Nofal, Adel hears a lot about the hopes (Mona Badr), the daughter of the housewife in which Nofal works. He suddenly visits her and finds her a nice girl.

When a doctor invents a formula that can restore youth, the 80-year-old Abbas takes the new formula and starts a new adventurous chapter as a young man. But reliving his youth comes at the expense of his family as he falls in love with his son's fiancée and decides to marry her.

The story of Hassan, a wealthy young man whose father seeks to marry him to his cousin, whom he doesn't love.

(Elham and Salwa) two chemical engineers, have been appointed to the Oil Company (Cairo) but are seeking to work in the desert to explore new oil wells, but the company only sends men there. The desert, having progressed to work as two men because of the company's system of accepting only men's travel on these missions, recognizes their colleagues in the desert and lives with them as two men

A wealthy, good-for-nothing man wastes his fortune, loses his house and moves in with his private secretary's family. He falls in love with the secretary's daughter. After a few disastrous attempts at salaried employment, he pawns the family ring and buys a taxi cab. The secretary's son's fiancee, a popular singer and actress, is being blackmailed by a hoodlum ex-lover. Our intrepid reformed taxi driver comes to the rescue. A madcap comedy directed by Niazi Mustapha. Songs performed by Sabah.

Documentary tribute to the Egyptian singer Abdel Halim Hafez produced in 1977 consisting of archive images of the singer during his visit to Paris in September 1974, joined by fictional scenes which take the form of a journalistic investigation. A little-known film in the filmography of Ahmed Rachedi who during this Parisian period will direct another feature film that we would very much like to see again: "A Finger in the Gear" (1973), on a screenplay by Rachid Boudjedra. The credits and some images of "La chanson de l'Adieu", released in France in December 1981 in the famous Luxor hall in Paris where more than 5,000 spectators came to see it.

The story revolves around the singer (Dalal) who works in a cabaret. Many men fall in love with her, but she prefers the wealthy (Mustafa). She marries him and moves to live with him on his estate. (Mustafa's) mother, who wanted her son to marry his cousin, is shocked. When she is injured in an accident, a doctor comes to treat her and meets Dalal, as he was one of her former clients. The doctor proposes to (Mustafa's) cousin, and (Dalal) refuses this marriage, which will reveal her past. She decides to kill the doctor to preserve her past from her husband's family.