Acting
In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.
Despite the pandemic sending most industries into recession, debt-ridden wedding planner Dominic (Dayo WONG) gets a miraculous chance to turn things around when a funeral planner retires and passes the baton to him. His creative gimmicks for funerals help his business find unexpected success, but Dominic’s biggest obstacle is winning the approval of respected and sternly traditional Taoist priest, Master Man (Michael HUI). After some unordinary funerals, Dominic gradually understands Master Man’s code of ethics and the meaning behind each farewell.
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Balcony is the most luxurious members-only clubhouse in town, where investment analyst Stephen comes across millionaire Lucas, stock broker Master Alan and prostitute Milo. He learns the tricks of stock market trading from Master Alan and teaches Milo what he has learnt. Stephen and Milo are thrilled with making easy money in the stock market, but soon realize that it’s Lun to control everything behind the scene...
There are people and places that we used to hold dear in our hearts and gradually became sediments of buried memories. When Charlotte encounters a suitcase at the second hand shop she works at, her emotions are unearthed and bring her back to the days of innocence with Chan. Charlotte did believe that Chan, just like the neighbourhood in bygone times, would remain constant. Yet all old things are helplessly abandoned and crushed beneath the wheel of time. At the same time, Ling is depressed and lonely because of Chan's death. Sending Chan's things away to purge her negative emotions and to set herself free from the past, a treasured relationship reveals itself like ripples of emotions.
Story follows Guy and Heidi five years into their relationship and faced with a serious dilemma: Whether or not it is time to marry and form a family. They're equally in love, and their relationship is going strong. But while Heidi is ready to settle down and believes that marriage is proof of one’s everlasting love, Guy holds the belief that marrying Heidi will result in him being tied down to a woman that he will one day grow distant from. Heidi consults her girlfriends for advice, and Guy consults the guys. What follows is an outright battle of the sexes, as Heidi plots devious ways of getting pregnant—with marriage as an end goal—as quickly as possible, and Guy schemes up a handful of contraceptive counter-strategies.
Falling petals, flying snowflakes, fragments of memory…all are transient just like our dreams. Without thoughts, there need not be a concrete plot or captivating story to tell. Just as philosopher Zhuang Zi wrote--the fools think they are awake. Each scene and image exudes illusion and fantasy. The absence of plot and dialogues allows freedom in interpretation and clarity. The symphony of images becomes a poem for the audience to treasure. Cinema is dreamy in nature, allowing the true poetic spirit to thrive—when we rid ourselves with thoughts.
