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A young runner’s life quickly slips out of control after an accident in which he loses a large quantity of drugs. As he struggles to replace the missing package under intense time pressure, his decisions become increasingly dangerous.
Evangelia visits her grandmother just before leaving for the city where she will study. In the evening she has to go to a party, where she hopes to meet Tasos. Her grandmother takes care of her and makes her the French braid that she has been doing since childhood. But Evangelia does not pay much attention to her grandmother. Not even to the childhood braid. She is impatient for her meeting with Tasos and rushes to leave, to get ready as she wants. When she finally goes to the party, she will be asked to decide what it is that she really needs to say goodbye to just before her departure.
A family, consisting of the grandmother, the mother and her two children, a daughter and a son, seems to raise them in a different way compared to the rest of society. The teenage children, Orestes and Danae, still have the innocence of childhood, without knowing the outside world. In combination with the embrace of a religion, this Goddess of snakes and the control of the mother and grandmother over the children, we understand that the power of the family lies with the women. The family peace is disturbed when they catch Orestes masturbating. The mother and grandmother understand that childhood innocence has been lost and it is time for Orestes and Danae to enter the process of adulthood, as they know it. The roles change, Danae is “educated” differently by Orestes, who is treated more like a reproduction machine than as a human whole. Will Orestes withstand these changes? How dangerous is his family to him?
Despite their different perspectives on things, three people set up a conspiracy plan to escape from a mental institution.
In an isolated mountain village, a teenage girl and her father coexist in silence and unspoken emotions, until their fragile balance begins to unravel.
A mother, having lost her world, is forced to face the truth.
Kostas and Achilles are soldiers in a provincial camp. Kostas' explosive temperament drags the modest Achilles away and so the two friends run away from the camp with the intention of having fun in the neighboring village. Things do not develop as they want and they are now in the patrol car, facing charges against them. They must now choose: To accept their fate, or to blow it up.
Three friends get together after a long time and speak of their recent mishaps. Each of their stories ends with a problem and each problem can be resolved only with money, which they don’t have. Moving between reality and fantasy, they decide to rob a cafe they suspect is a façade for money laundering.
At the top of Thessaloniki there is a tavern that has not turned off its lights for eighty years. Marginals, intellectuals and all kinds of patrons have passed through the tables of the legendary "Domna" with folk music accompanying them from generation to generation. Our 12-minute documentary observes the atmosphere of "Domna" through the flow of a night. During the course of this evening the patrons gradually free themselves, surrender to drink and folk music and eventually turn into a big family.
A man and a woman meet at a karaoke bar. He stands awkwardly on stage. She rushes in to save him. Just as suddenly as she entered his life, she disappeared. Forever. Now he is left to cope with her loss while carrying on with his work—he runs a funeral home.
