Hal Foster
Writing
Known For

An Arthurian legend of young Prince Valiant, son of the King of Scandia. After the King is exiled by an evil leader, the Prince travels to Camelot to secure the aid of King Arthur in helping restore his family to power and prevent a plot by the Black Knight.
Prince Valiant

A young Viking prince strives to become a knight in King Arthur's Court and restore his exiled father to his rightful throne.
Prince Valiant

Popeye, Olive Oyl and more King Features Syndicate comic strip characters are invited on a cruise hosted by Professor Grimsby, a mad scientist who wants to eliminate laughter from the world. When the ship is held hostage on his island lair, it's up to the much more action-inclined Mandrake the Magician, Steve Canyon, and Flash Gordon (among others) to save the funnymakers from their eternal inprisonment.
Popeye Meets the Man Who Hated Laughter
Charlie Rose joins sculptor Richard Serra at the Museum of Modern Art for a walk-through of a retrospective of the past four decades of Serra's work. Serra describes the destruction of his public sculpture "Tilted Arc" and reflects on his early artistic influences. Guest host Michael Kimmelman talks to Hal Foster, chairman of the art and archaeology department at Princeton University, about Serra's work.
The MoMA Retrospective: Charlie Rose Interview

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.