Writing
The story of a philanderer behind the wheel of a cab, who gets into a series of hilarious but also adventurous situations, was based on the actual experiences of Berlin cab drivers. It is an entertaining portrayal of how the main protagonist, Eddy, is to be cleverly dissuaded from his dashing bachelor life. Gaby and her grandpa come up with a few ideas. This is necessary, because Eddy may be a proper cab driver, but in his private life he knows no rules when it comes to winning over pretty girls.
In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.
The beautiful and charming laundress Lurette is a well sought-after young woman in Ludwig XV’s Paris. Her heart is already taken, however, and she makes elaborate plans during Carnival to obtain the man she truly loves, the carpenter Campistrel. During her plans to make Campistrel jealous and recognize his love for her, she meets the Duke of Marly, who plans to make her his mistress. The unsuspecting Lurette finds herself caught in a love triangle, and her peer, Marcelline, must save the beautiful Lurette from these scandalous schemes.
The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.
Already a famous painter, Rembrandt van Rijn is commissioned to paint the Amsterdam Archers' Guild. But upon completion of the picture, the men of the guild feel duped, because they don't consider themselves flatteringly depicted in the painting. They therefore decline to pay for the work. During this dispute, the painter finds out his wife is close to death. He finds himself terribly lonely after her passing and suffers from depression until he decides once more to marry.
After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.
Berlin’s last barrel‐organ player, Otto Steppke, is to receive the “Golden Cylinder” atop the shining “Berlin Moon” teleballoon above Alexanderplatz. Piloted old‐style by balloon, the gala flight, hosted by the operetta’s Frau Luna, promises Lincke waltzes and Kollos tunes. But Otto’s daughter, his ex Mrs. Pusebach, and intrepid reporter Telemann conspire (along with fickle love and capricious winds) to upend the hour‐long ascent in wild, music-filled chaos.
The daughter of a wealthy art dealer is blackmailed, and then his former wife is found dead in a Paris hotel.One of the four suspects turns out to be actually a police detective.
Berlin 1849: The democrat Adolf Glasbrenner, known as Brennglas, publishes the political satire magazine "Phosphor" on a shoestring budget. He plans to marry his lover, the actress Adele Peroni. But the plan comes to a standstill when Adele is to make a guest appearance at the reactionary Royal Prussian Playhouse. A democratic journalist marrying a court actress? Impossible! Together with his friend Pulecke, Brennglas tries to disrupt Adele's performance with a bachelor party...
Best friends David and Philip have to end their love affair with their mistress Aimée which they - not knowing of each other - share, because they are going to marry their sweethearts Gaby and Viola. Of course Aimée will not accept her defeat. She interferes the engagement of Gaby and David, which lead to some turbulence and change of horses before they all end up in their honeymoon.
Michael Lutz and his fiancée Barbara want to spend their vacation on a quiet island in the Danube, hoping to finally have some time to themselves. And who do they run into there? None other than Mr. Bruckmann, Barbara's boss. He hadn't planned on ending up on the island at all; he only wanted to take a boat trip with his partner, Consul Hansens, and the latter's pretty daughter, Gwen. Bruckmann and Gwen are on the verge of falling in love, which the consul would find extremely pleasing. Now they're all stranded on the island together, without money, papers, or clothes.
Heinz is a well-stocked veterinarian in Klückow and his Jana in quite firm, although not always present hands. And now - as Aunt Alma is slowly getting rid of the concern for her beloved nephew - Dr. Kröpelin finally got his chance: he makes a marriage proposal to Alma. She would not be averse if it had not been his "bloodthirsty" hobby, the hunt. A get-together on the high seat is still not a desirable prospect for Alma. But the more she refuses, the tighter Kröpelin bites into his intention to marry her anyway, whatever the cost.
The television play by Werner Bernhardy depicts episodes from the life of Heinrich Zille as well as his much-praised "Milljöh". It tells of Zille's dismissal from the Berlin Photographic Society, of Kommerzienrat Hübel and his wife, of Zille's unreal, loyal friend Gustav Nogler, in whose role the experiences, attitudes and characteristics of many people from those years were incorporated, and of many other Berlin characters.
Four years have passed since Alma and Dr. Kröpelin got married. The home zoo in Groß-Klückow is thriving and Alma is completely absorbed in her new role. But she still finds time to take care of things that, strictly speaking, are none of her business.
Alma Krause is the proud owner of a thoroughbred French bully. Even otherwise, she nurses and harbors several two- and four-legged friends in her apartment - just as one would expect from a veterinarian's widow. Her nephew Heinz, on the other hand, is kind of beaten. Not as for the love of animals, that would fit badly to a nascent vet, but for a small animal practice, as the blessed uncle operated, he seems to have no ambitions. A future as a "Bazillenscheuche" in the cowshed would like to spare him again Aunt Alma. And she takes her appropriate action.
The widowed registrar Robert Zimmermann reconciles divorcing couples and finds happiness in love once again.
The double standards of a social class, which pontificates with big words what is proper and improper in the world of morality, while in its heart thinks very differently and acts accordingly.
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