Emanuele Fiadone

Two friends mourn the loss of a loved one, but the investigation reveals a shocking detail.

A series of slides alternating with short animations evokes the digital aesthetics of the early 2000s. The messages, blending audiovisual and literary language, playfully mock the romantic communication forms of the blog era while maintaining an underlying sincerity and truth. The author aims to communicate in a style that mixes nostalgia and the grotesque, playing with contrasts between a light tone and the authenticity of the emotions expressed, offering a reflection on how the expression of feelings has evolved in the digital age.

Through excerpts from interviews and poems by the Russian author Boris Ryzij, his poetic vision and existential suffering are depicted, which will ultimately lead him to commit suicide at a young age.

Three students discuss an audiovisual project to be submitted for a review. It is a metacinematic follow-up to Uno mattina.

An alternation of archival images and original footage attempts to reconstruct the emotions and sensations evoked by silence and isolation.

Two street artists compete by playing on stereotypes.

In an underground setting, a young man is about to commit disgraceful acts when his older friend and mentor tries to steer him back onto the right path.

A visual experiment, Redflections is a film that plays with contrasts to highlight the protagonist's features and the patterns that surround her.

"Volti" uses archival i footage to explore the theme of police brutality and the dehumanization of victims. Through a process of visual transformation, the human faces shown undergo a sort of symbolic castration due to the abuse, losing their humanity and breaking down into expressions of pain. Each face becomes a tragic mask, symbolizing the loss of identity and dignity inflicted by a system that no longer recognizes people, but only objects to control and repress. The film ends with an eerie silence, accompanied by a sequence of images showing faces now dead and devoid of meaning. These faces, stripped of any distinguishing features, merge into a disturbing gallery that represents the final stage of dehumanization: the complete erasure of individuality.

A guy wanders through the city, focused on something, when he suddenly remembers he’s forgotten a crucial detail.

Two friends find a puppet hanging in the woods. Why did it do that?

Two friends are discussing a shocking revelation that another friend of theirs has just made.

A young man walks despondently, evoking memories of a past that cannot return.

A girl begins to choke and is assisted by her friend. Soon, the situation takes a surreal turn.

A young artist unleashes her creativity on paper. However, the drawing seems to come to life, taking on a horrifying twist.

The protagonist investigates the mystery of a suspicious individul after a cryptic message received from his femme fatale.

The author, inspired by a fellow cinema student, improvises a mock speech about memories and beliving in ourselves. He recreates a classic influencer-like setup to talk about a special day he remembers dearly, September the 5th, the day he saw the movie "Pahntom of the Paradise", which is also the day he met a special person. Apparently, he's not fond of a guy named Gabriel.

A young man runs from his fate, which, inevitably, will catch up with him.

The author describes himself in a short film using archival material in a provocative and deliberately humorous manner.

Grenouille, intoxicated by his own perfumes, which he consumes as if they were liquors, is drawn to a mysterious light that beckons him. It's her, the girl who first captivated him with her fragrance and drastically changed his life. Soon, the illusion fades, the radiant girl disappears, and Grenouille awakens to the squalor of reality.