Christina Meincke

A love triangle between Dan Sommerdahl, his wife Marianne Sommerdahl and their best friend Flemming Torp occurs as they try to solves killings in Helsingør.

TAXA is a Danish television drama made by Danmarks Radio with 56 episodes, written by Stig Thorsboe and produced by Rumble Hammerich. The series revolves around a small taxi central, CrownTaxi, in Copenhagen. The series was a success from the start, 14 September 1997 on DR1. The series was broadcast during the period 1997-1999 for a total of five series. CrownTaxi has its ups and downs and in the course of the series, following the various drivers, radio opertor Lizzie and boss Verner Boye-Larsen. They have all their problems both with clients and family life and constantly threaten the show's villain Hermann from the competing taxi firm, City Car, which wants to take over the CrownTaxi. TAXA was also screened in Sweden on SVT1.

Norskov is a police drama that takes place in an industrial city in northern Denmark. The city is raw and unsentimental, and the financial crisis has left its mark, but there is still a lot of community spirit and empowerment. In the series we follow the policeman Tom Noack, who returns to the city he left almost 20 years ago, and his two childhood friends who in the meantime have become the mayor and primary contractor.

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The story of one woman’s struggle to find her place in life while freeing herself from the expectations of family and society. The series takes place in the 1930s and follows Karen Blixen’s return to her childhood home Denmark after many years in East Africa.

Lace up your boots, stock up on beans, and practice your slap-fighting skills: the most popular duo in “popcorn” cinema from the 1970s through the early 1980s is back in Julien Doubois’ documentary “Terence Hill, Bud Spencer… and Me”, written by Philippe Lombard. To recount the cinematic saga of the two friends and pay them a sincere and passionate tribute, Philippe went all out, setting out himself in the duo’s footsteps across Europe, even going so far as to eat beans on camera, all while bringing together a circle of knowledgeable and enthusiastic contributors. Snubbed by critics, mocked by the know-it-alls, absent from anthologies and retrospectives, yet adored by the general public. The smart, handsome guy and the clumsy oaf. A brand of cinema whose pace, gags, stunts, good cheer, audience, and humor are reminiscent of the circus.