Directing
In 2067, the Canadian government resurrects Expo 67 using advanced projection technology. As a woman searches for the ghost of her grandfather, the exhibition catches fire.
Storms manufactured with linocut and monotype.
Collage, drawn sound, and double exposure animations on 16mm film explore the temporal disjuncture of Montreal’s urban landscape, haunted by the ghosts of neighbourhoods that were demolished for Expo 67.
A jockey rides off course and the horse race soon devolves into a disorienting detour. Cut-outs, collage and cel animation combine on a multiplane camera to create a barrage of unexpected environments.
