Martin Farkas

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

A behind the scenes look into the making of resident evil where the cast and crew breaks down the process.

By pure coincidence, the millionaire Maximilian met a doppelganger who a little later turned out to be his twin brother Lukas.

François is a literary scholar and drinker. His relationships with women are limited to one year, his life is sufficiently happy. Until the day when charismatic Muslim politician Mohamed Ben Abbes becomes president in France, introduces patriarchy and polygamy and loses his job. In his growing loneliness, Rector Rediger's offer to resume his teaching at the Sorbonne reaches him on one condition: he must convert to Islam.

A whole year went by before musician Juliane Hansen was able to put her running shoes back on — a year after her partner, Johann König, took his own life. Although her friend Rieke offers all the support she can, Juliane feels lonely and listless. Now, running and panting, she begins to confront her thoughts, which constantly revolve around Johann, and to allow new vitality to enter her life.

A film portrait of the influential Bavarian actor, director, and screenwriter who publicly confessed his homosexuality, which chronologically covers all the important stages from Action-Theater to the director's early death, supplemented with anecdotes.

Katharina and Hektor who used to be married ten years ago meet again after their daughter Lilith is suspected of serial burglary.

Hildegard Knef: legendary German film diva. An actress whose personality is as complex as the characters she has played. She is by turns irritable, impatient, charming, humorous, fascinating and enchanting. But behind the many masks is the temperamental woman, the Hildegard Knef who has weathered many of life′s blows: failure in Hollywood, cancer, lost loves, the enmity of the press and, finally, the horror of aging. A Woman and a Half - Hildegard Knef is the portrait of a Knef who has become cynical and unpredictable in order to protect herself, but also a Knef full of warmth, humor and spirit.

It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.

Comedy tells the story of an Afro-German punk who starts working as a presenter on a teleshopping channel in order to save the trailer park where she lives with her community.

Chrissi has spent years abroad proving that she can handle cars as a stunt driver. When she has to return to her father's childhood village after a serious accident, she is caught up in the tormenting memories of her family history. But her father is still trapped in his pain and unable to be there for her. In desperation, he offers her money so that she can build a life elsewhere, independent of the German social system - the relationship between the two is about to be put to the test...

A collage of memories, fictional stories, biographies, dreams and missed opportunities, which in their entirety represent the idea of Munich.

She is the grande dame of German and international cinema, always a bit of a rocker chick, freedom-loving, adventurous and willing to take risks. This portrait unfolds Iris Berben's career, which has spanned more than five decades - between the art of film and television, between rock 'n' roll and political commitment.

As a junk dealer Anton is found dead, a case develops in which each of the Germingers is involved: the law-abiding Commissioner Franz Junior, his rebellious sister Anna, ex-policeman Franz Germinger senior and his wife Erika. Who could have wanted Anton? Commissioner Franz Germinger Junior first taps in the dark. His sister Anna is sometimes ahead of him in some situations, which may be because she likes to exceed her competencies. Even more annoying the junior but his father Franz Germinger senior, who can not refrain from finding.

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

In 2019, Union Berlin was promoted to the Bundesliga. Four years later, the traditional East German club qualifies for the Champions League and achieves something that few would have thought possible. Despite all the euphoria over the triumph, the pressure to remain strong in sporting and economic terms also increased, as did the fear of falling into a conflict of identity between tradition and change. The fact that the soccer underdog from Köpenick still manages to retain its magic is primarily down to the people who work behind the scenes to keep things running smoothly and enthusiastically. Always at their side: a loyal fan base that is prepared to follow their club's path unconditionally. Hendel follows the team behind Union for almost two years, right up to their entry into the top flight, and takes a unique, particularly personal and authentic look behind the scenes of the club.

Marianne and Günter, a married couple in their seventies, have completely forgotten why they once fell in love with each other. On their wedding day, they want to get their memories back using a supposed "miracle pill" against forgetfulness.