Manuel de Sobrón
Directing
Known For
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Nadie Aquí me Conoce
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Rostros perdidos
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Después del réquiem
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Una mancha blanca
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Prólogo en Tres partes al Triángulo: Tercer acto
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Atardeció en la mesa, del verde al azul
![[Ensayo]](https://image.tmdb.org/t/p/w500/cZzonyJ5MQPZs5p0eZCTvKYKcFv.jpg)
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[Ensayo]
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"No-Name"
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Pasatiempos
"Oh son, do you know, do you know where you come from? From a lake with white and hungry seagulls. [...] That's how you came into the world. From so many places you come, from water and earth, from fire and snow, from so far away you walk, towards both of us, from the terrible love that has chained us, that we want to know how you are, what you tell us, because you know more about the world we gave you." - The Captain's Verses (1952), Pablo Neruda.
Laboratorios 1: Confesión
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Innecesaria
"It is impossible to conceive of 'seeing and hearing' reality as it unfolds from more than one visual angle: and this visual angle is always that of a subject who sees and hears. This subject is a subject of flesh and blood. Because if we also choose an ideal point of view in a fictional film, and therefore one that is in a certain sense abstract and non-naturalistic, it becomes realistic and even naturalistic from the moment we place a camera and a tape recorder at that point of view: it will be something seen and heard by a subject of flesh and blood—that is, with eyes and ears." - Pier Paolo Pasolini, "Lutheran Letters."