Abbé Prévost

A story about a woman who is a research student of a theater company and the three men who are at the mercy of her.

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

A French adventurer fights to save a woman in the life of prostitution.

Manon is an amoral, free spirit who uses sex to surround herself in relatively luxurious surroundings.

A nobleman studying for the priesthood abandons his vocation in 18th Century France when he falls in love with a beautiful, but reluctant, courtesan.

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

Star soprano Anna Netrebko scored a triumph in Laurent Pelly’s acclaimed 2012 production, singing the title heroine for the first time at the Met. Manon’s story—from innocent country girl to celebrated courtesan to destitute prisoner—is one of the great tragic tales in literature and music, and this performance brings out all of its colors, as seen through Massenet’s masterful score, from the comedic beginning to the heart-wrenching finale. Piotr Bezcala is des Grieux, Manon’s lover, who decides to become a priest when she leaves him, but ultimately is reunited with her, only to lose her again. Paulo Szot sings Lescaut, and Fabio Luisi conducts the Met Orchestra and Chorus.

The nobleman des Grieux falls in love with the mysterious and attractive girl of humble origin Manon Lescaut. The girl seems to love the young man, but at the same time commits unworthy acts, seducing rich noblemen and involving des Grieux himself in a dissolute life.

In the reign of king Louis XV,a handsome student,Des Grieux, meets his charming cousin,Manon,just when she goes to the convent of Amiens,to take the veil.

Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

During a bus ride through the Andes, two seminarians encounter with a woman named Manon. Immediately, one of them falls in love and the attraction is mutual, so they decide to flee to capital city to start a new life. But the love of Manon ambitious drags this man to leave his vocation and commit criminal acts to maintain a life of luxury and extravagance.

In June 2014, London’s Royal Opera House presented Jonathan Kent’s new production of Manon Lescaut. With a stellar cast, including Kristīne Opolais and Jonas Kaufmann in the roles of the young lovers Manon Lescaut and Chevalier des Grieux, Jonathan Kent brings this 19th century classic to a 2014 setting, both non-naturalistic and theatrical. Supporting the action on stage is the Orchestra and Chorus of the Royal Opera House, Covent Garden, with their venerable Music Director Antonio Pappano.

TDK presents a recording of Puccini’s heart-breaking opera from one of the best opera houses of the world featuring star tenor José Cura and remarkable soprano Maria Guleghina as the two inseparable lovers. Riccardo Muti, music director of La Scala at the time of this performance, gives full weight to the alternation of social realism and private amatory psychology, of crowds and intimacy, body and spirit. And the director of this Milan production, the famous Italian film director Liliana Cavani, provides it with a realistic setting. Every scene looks like a genre painting, from which Puccini’s psychograms emerge musically. This forms the background for the two outstanding singer actors, who take the lead roles.

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Live from Glyndebourne 1997

One of Vítězslav Nezval's most striking stories about unfaithful yet devoted love, full of suspenseful twists and turns and an enchanting chivalrous world, was first staged at the National Theater in 2016, losing none of its impressiveness and power. In 2021, Daniela Špinar, director of the original theater production, retold it in a highly original form using the language of film, shooting it as a film project in the authentic surroundings of the historic theater building.

Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.

Manon Lescaut is a 1914 American silent drama film directed by Herbert Hall Winslow and starring Lina Cavalieri, Lucien Muratore and Dorothy Arthur. It is an adaptation of the Abbé Prévost's novel Manon Lescaut (1731). It is now considered a lost film.

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